Care To Go On A Date With Steiff's Delightful Prewar Rabbits?

Rabbits have always ranked among Steiff's top categories of animals manufactured, with the others being dogs, cats, and bears. Rabbits have appeared in Steiff's catalogs since their debut in 1892. At least 7 examples were featured in this first issue alone. It is interesting to note that Steiff's rabbits are "officially" measured vertically, sans ears, and that through 1937, all were called "Rabbit." In 1938, Steiff introduced "Ossi," the first named rabbit. Ossi is a nod to the German word "Ostern," which translates to "Easter" in English.

Steiff's rabbits have evolved significantly over time, which makes them somewhat easy to date if they lack their buttons or ear tags. Here's a summary of their key characteristics through the mid-1940's when the company stopped production due to World War II. The picture above on the left features a rabbit doll, two miniature rabbits, and a sitting rabbit.

Steiff's rabbits from c. 1892-1910 featured simple, “primitive” patterns with chunky proportions. They were unjointed, or VERY jointed, with head, limb, and ear jointing. Their faces were detailed with simple facial stitching and black button eyes - sometimes backed in felt - or pink and red albino eyes, or glass pupil eyes starting around 1908. These earliest buns were made from felt or velvet, often with painted spots. Mohair rabbits debuted around 1903, when this fabric became available on a commercial level. You can see an adorable, more than fully jointed white mohair albino rabbit from around 1909 here on the left. Even his little ears are jointed - and you can move them around 360 degrees!

Steiff's rabbits from the 19-teens to the early 1920s had slightly more sophisticated and lifelike presentations. They were primarily unjointed and made from tan, white, grey, or white mohair. They came to life with simple facial stitching and glass pupil eyes, sometimes backed in red felt, or pink and red albino eyes. 

Steiff's rabbits from the mid-1920s to the early 1930s had a very distinct aesthetic. The patterns introduced during this era were childlike and detailed with oversized glass pupil eyes. In addition to natural colored examples, Steiff also made rabbits in jellybean hued velvet, as well as longer nap mohair. Their facial embroidery included a triangular nose outlined in distinctive long stitches. Also during this time, Steiff produced a number of charming rabbit novelties, including tail-moves-head models, pajama bags, pull toys, and rabbit dolls. Here on the left you can see a four adorable, sitting velvet jellybean rabbits from this era. Check out their very characteristic nose stitching!

Steiff's rabbit designs from the mid-1930s through the mid 1940s reflected the socio-economic realities of life leading up to WWII. These patterns were noticeably less playful and colorful than those made just a decade previously. Rabbits were again produced in natural colors. Their patterns were simplified and had a "lean and pensive" presentation. With wool materials allocated towards military production, Steiff began using substitute fabrics, including artificial silk plush and wool plush in the place of mohair, and linen in the place of felt, on their best-selling rabbit patterns. Rabbits from this era once again had very simple embroidered facial features and proportional glass pupil eyes. Here on the left you can see two very typical late 1930s-early 1940s rabbits; the running one on the left is made from wool plush and the sitting one on the right is made from artificial silk plush.

I hope this discussion on dating Steiff's prewar rabbits has been a cheerful earful for you!

Bibbed Beauties: Steiff's Rare And Wonderful White Zotty Bears

Steiff's White Zotty bear, in the line for only two years, remains a collector's favorite more than six decades post his introduction. Here's a little more about this pattern, within the context of his legacy Zotty bear design. 

“Zotty” is from the German word “zottel,” which means “shaggy," and as such, is the perfect name for this signature Steiff bear. He was designed as a breath of fresh air after the factory reopened for toymaking business post WWII as his elements truly reflected the optimism and aesthetics of the 1950s. He was instantly popular, and many other toy companies introduced copycat Zotty bears as a result of his success. These companies would vary the pattern just enough not to infringe on the Steiff version.

Zotty’s legacy (and perhaps namesake) goes back over a century. In 1914, Steiff debuted their first “Zottlebaer” or “Shaggy Bear. ” He was in the line through 1927 and was known for his shaggy coat, sweet face, and soft texture.

Steiff's debut, midcentury Zotty bear was produced in 9 sizes ranging from 17 - 100 cm from 1951 through 1978. He was fully jointed and made from long shaggy caramel tipped mohair with an orange bib and a shorter mohair muzzle. His paw pads were made from felt. Earlier versions had glass pupil eyes, while later versions had plastic pupil eyes, for safety reason. Depending on size and era, Steiff sometimes backed the eyes in felt. Zotty featured an open, felt lined mouth, an embroidered nose, and distinctly toddler-like proportions. Zotty was created by Steiff designer Mr. Siegfried Zeller (1915-2000) around 1949-1950. His son, Rolland Zeller (1944-2008) also worked for Steiff and designed over 2,000 items over the course of his career there. You can see this great Steiff duo, along with an original caramel Zotty bear, in this photo on the left. 

Given his supersonic rise in popularity, Steiff debuted a white version of Zotty in 1960. He was made in 28 or 35 cm. He had almost identical design details as his caramel tipped cousin, but was made from very shaggy white mohair. In Steiff's 1960 new releases catalog, he is pictured along with a Disney Perri squirrel and a mohair Nagy beaver who were also relatively new products in the line at that time. Both Perri and Nagy which would go on to appear in the catalog for decades. You can see this catalog page here in the photo on the left. 

It is not clear why White Zotty was produced in so few sizes, relative to the standard line Zotty, or why he was discontinued just a year later in 1961. Traditionally, white mohair Steiff bears are quite popular and sell really well. It is possible that he just did not take off with customers, and/or the finances did not make sense. It is also possible that his white mohair was not available, or really expensive, or simply was challenging to work with. Whatever the reason - only he knows for sure!

Steiffgal hopes this discussion on the history of Steiff's white mohair Zotty bear has been a hair raising experience for you!

Going Loopy Over The History Of Steiff's Wolf Production

Some of Steiff's creations leave collector's howling in delight. It is safe to say wolves are one of those very special designs! These majestic creatures did not appear in the Steiff line until 1956 - more than six decades onward from the company's late 1890s debut catalog. Let's join the pack and check out some of these field and forest highlights that have graced the Steiff catalog over the years.

Steiff's debut wolf was a 17 cm tall puppet named Loopy. His body was made from tan mohair with grey highlights on his back and arms. His face was made from longer tan mohair; it was airbrushed with a few shades of grey, tan, and brown to give it depth and texture. He came to life with black and green slit eyes, a black stitched nose, and an open, felt mouth - complete with four pointy teeth and a red felt tongue. His paws had black hand embroidered claws. This design was produced from 1956 through 1978. You can see this puppet pictured here on the left. 

Steiff's next wolf was based on the company's Loopy puppet, and was a full bodied creature. This is unusual as Steiff traditionally debuted a full bodied item, and then created a puppet novelty from that item's pattern - not the other way around. Full bodied Loopy was made in 25 and 35 cm. He was unjointed and made from long and short grey mohair, which was detailed with airbrushed highlights. He had black embroidered claws and came to life with an inset facial mask, brown and black pupil eyes, black embroidered facial features, and a touch of airbrushing. The smaller version had a closed mouth; the larger version had an open mouth with a felt tongue. Loopy was produced in 1964 only and today is one of the rarest and most sought after Steiff postwar editions. You can see the 25 cm version of full bodied Loopy here on the left. 

It is not clear why standing Loopy appeared in the catalog for only a year. He is pictured in the Steiff Button In Ear Brand New Models 1964 catalog on page three of this publication and you can see that entry here on the left. Snurry, the sleeping cat, and a white dralon Cosy Teddy graced the cover of this brochure. Steiff usually put its most important debut items on the cover of these publicity pieces. This suggests that the company never had high hopes for this design.

Other somewhat more recent mohair wolves in the line include the distinctly youthful Loopy wolf, who was 12 cm, sitting, and head jointed. This happy handful appeared in the line from 1991-1993 and is also relatively rare. You can see him here on the left. And in 2003, Steiff introduced a wolf as part of the company's Last Frontier Animals series for North America. This example was 26 cm tall, standing, and made in an edition size of 1,500 pieces.

It is interesting to note that Steiff's wolf production has traditionally featured wolves as companions to other dolls or animals. Here are a few examples of that. In 1983, Steiff made a mohair Big Bad Wolf face mask in an edition size of 3,000 to accompany Reeves International's Suzanne Gibson Little Red Riding Hood set. In 1988, the company produced an adorable Teddy baby and wolf set made in an edition size of 1,000 for the toy store Speilwaren Wolff of Giengen, Germany as part of Steiff's 85th anniversary celebration. This mohair wolf was 15 cm tall, standing, and unjointed. And in 1995, Steiff introduced its Polar bear and wolf set - also for Speilwaren Wolff - in an edition size of 2,000 pieces. This wolf was sitting, unjointed, and was detailed with a red collar. You can see this handsome pair here on the left. 

And finally, what is the tie between the word "Loopy" and Steiff's midcentury wolf production? "Lupin" sounds a lot like the name Loopy - and for good reason! Lupin (or lupine) directly translates to wolf or wolf-like, and originates from the Latin word lupus (wolf) and lupinus (of or belonging to a wolf). So that all makes perfect sense from a naming perspective.

Steiffgal hopes this discussion on Steiff's wolf production has you running with the wolves - in the best possible way!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

A Brief Revue Of All Steiff Things 'Goo!

Marsupials are a subclass of mammals, with one key difference: all females deliver their babies prematurely and nurture them in their pouches, sometimes for up to a year. Today, there are only 344 species of marsupials on the planet; most live in Australia, New Guinea, and the surrounding island nations. Perhaps the best known marsupials are kangaroos - who also happen to have a long history in the Steiff line! A fine example of the company's late midcentury 14 cm Linda Kangaroo is pictured here on the left. 

These “pocketed pretties” were one of the very earliest animals made by Steiff. The first ones were produced in 1897 – only five years after the company published their first catalog in 1892, and nine years before the introduction of the button-in-ear trademark in late 1904. These 1897 standing, unjointed 'goo debuts included a 28 cm version made from short pile plush and a felt model made in 12, 17, and 28 cm. 

Soon after, in 1902, Steiff introduced a velvet kangaroo in 12 and 17 cm that was similar in design to its felt offering. The 12 cm velvet version also was produced with a basket on its back as a pincushion from 1902-1905. The 17 cm versions of both the felt and velvet kangaroos were made as tumblers on wooden hemispheres from 1901-1905 overall. You can see an example of that here on the left, the photo is from Pfeiffer's 1892-1943 Sortiment. These turn of last century models may have been male as none had pouches. All were basic in design and in some ways looked more like little rodents than the bouncing beauties intended.   

 

That possible case of “mistaken identity” did not last long. In 1906, Steiff updated their original kangaroo pattern to make it more lifelike; the new model was now five ways jointed, made from short pile plush, had a robust curved tail and shapely limbs, and a much more detailed face. New kangaroo was produced in 35, 43, 50, and 120 cm and was available through 1917. 

It was not until 1929 that Steiff’s kangaroos were again updated; many of these new design features remained on kangaroos through the 1970s. Most importantly, this late 1920’s pattern finally included a pouch and a joey, starting in 1933! These models were made from mohair and were manufactured in 35, 43, and 50 cm through 1939. The joey was 10 cm and also made from mohair; interestingly, his construction consisted just of a head and body and no limbs. He resembled a cute bottle-stopper with a mouse-like head. 

Fast forward to 1953. The factory had reopened after the war and Steiff was jumping at the bit to rebuild its toy empire. They introduced Kangaroo “Kangoo”, who was very similar to the prewar design. Mohair Kangoo was made through 1966 in 14, 28, 50, and 65 cm. The biggest one debuted in 1958; here on the left, you can see the 65 cm version as it was introduced in the company's catalog that year. The larger versions were arm jointed; all sizes were made with a pouch. The 14 and 28 cm Kangoos had plastic joeys, the 50 cm size had a velvet joey, and the 65 cm size had a mohair joey; all the joeys were “full body." Kangoo also appeared, albeit less frequently, without a pouch as a male Kangaroo. You can see an example of the "pouchless" Kangoo below on the left. 

A newer but similar kangaroo design named "Linda" took Kangoo’s place in the Steiff line from 1967 through 1974. Linda was made in 14, 28, and 50 cm; like Kangoo, the 14 and 28 cm Lindas had plastic joeys and the 50 cm size had a velvet joey. In 1960, Steiff debuted its postwar Studio Kangaroo; this big bouncing beauty was head and arm jointed and had a prominent pouch and darling joey. This model appeared in the line in 150 cm through 1967; she was also made in 120 cm in 1967. 

Steiffgal hopes this discussion on the history of Steiff's 20th century kangaroo evolution has you jumping for joy!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

This Oversized Steiff Cat Is Kind Of A Big Deal!

Talk about a wow-wow-wow meow find! Steiffgal was handling a small collection for a new friend and came across this most unexpected item amongst a number of other button-in-ear treasures. According to the consigner, all of these precious childhood Steiff companions were purchased at F.A.O. Schwarz in the late 1950s and early 1960s. That information was good to know... but proved really invaluable in this particular case. Come learn more about this purr-fect Steiff rarity. 

What we have here is a supersized Steiff Fiffy cat. She is lying, head jointed, and made from white mohair that has been carefully hand-airbrushed with black stripes. Her tail wraps around her rear in a most realistic way. She has green and black slit pupil eyes, and a pink embroidered nose, mouth, and claws. Her pink ribbon appears to be original to her. Steiff's standard line Fiffy cat was produced from 1955-1962 in 12, 17, and 25 cm. This Fiffy retains her button, ear tag, chest tag, and red wooden bell shaped F.A.O. Schwarz tag as her Steiff IDs. 

Soooo... what's the big deal here? Well, this gal is UNUSUALLY large, and in fact is 30 cm. The largest one noted in the standard Steiff reference books is 25 cm. This example has a yellow ear tag which is numbered #2330.90. These digits translate to: 2=lying, 3=mohair, 30=size in cm, 9=special edition, and 0=normal or natural coloring. Given her dimensions, numbering, and presentation, it is Steiffgal's best thinking that this monumental Fiffy was produced as a special edition item for F.A.O. Schwarz in the mid 1950s to the early 1960s. 

It was not uncommon for Steiff to make tweaks to popular standard line patterns and present them as exclusives to F.A.O. Schwarz in the 1950s and 1960s. So there is precedence for this unusual find. These modifications included things like size, coloration, body position, materials, or other design details. For example, Steiff produced standing or lying Dally Dalmatians (the standard line versions were sitting), a sitting black and white Cockie (the standard line version was standing), and an open mouthed Biggie Beagle (the standard line version had a closed mouth) as dog specials for F.A.O. Schwarz. And for the felines, the list is shorter, but equally intriguing. It is suspected that a pair of 8 cm, legless, curled up baby cats that appeared in F.A.O. Schwarz's "Kittens in a Basket" offering were based on Steiff's beloved standing Tapsy kitten design. These happy handfuls are pictured here on the left. Like the fabulous Fiffy under discussion here, the one with the open eyes also has a faintly legible ".90" at the end of her article number.

Steiffgal hopes this discussion on this supersized Fiffy has really tickled your whiskers!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Having A Ball With This Prewar Steiff Kitten Novelty

Without trying to be catty, Steiffgal suspects you've never seen a Steiff kitten just like this one! Check out this fancy feline who is simply having a ball - literally. This prewar novelty is totally the cat's meow!

This lovely lady is simply cataloged as "Wool Plush Cat." But her details are far more interesting! She measures 9 cm tall and 17 cm long, not including her tail. She is head jointed and in a lying position. She is made from tan wool plush with now faded black airbrushed striping. She has a pinch style squeaker in her torso. Kitty comes to life with felt backed ears, green and black glass pupil eyes set low on her face, and a pink hand embroidered nose and mouth. Her accessories include a satin bow, jingle bell, and a red, yellow, and blue woolen miniature pom pom ball which is held between her two front paws. This delightful rarity was made in 17, 22, and 28 cm (measured horizontally, not including the tail) from 1933-1942.

Kitty's design and presentation closely mirror Steiff's late prewar design aesthetic as well as business drivers and strategy. In the early 1930s, the realities of Germany's challenging geopolitical, social, and economic situation really began impacting every level of operations at Steiff. As such, the company started using less expensive and more readily available non-mohair fabrics as well as launching simplified designs to minimize materials and labor costs. Here to the left you can see this pretty kitty as she appeared in Steiff's 1938/1939 print catalog; you can click on the photo to make it bigger. 

Here's how this kitty's pattern checks many of those boxes. 

1.  She is made from wool plush, which is lovely and durable, but is less elegant than the company's signature mohair. Wool plush is considered a wartime era, substitute fabric and was often used in Steiff's production on items bookending WWII. 

2. Her face is nicely done, and very appealing and expressive, while her body is  very basic in form. Starting around 1931, Steiff began consolidating their design and manufacturing efforts on an item's head, while leaving the rest of the body as simple as possible. A great example of this is the company's line of dressed animal dolls of that era. They consisted of a lovely, detailed mohair head on a plain, generic linen or fabric body. 

3.  Kitty she has only one joint - a head joint. Jointing is very expensive and time consuming, and the fewer joints an item has, the more efficiently it can be made. 

4. And finally, her accessories are also quite telling. Her bow, bell, and simple woolen miniature pom pom are inexpensive to source and quick to attach to her, but really elevate her presentation and draw your eye forward to her finest feature, her head. Steiff debuted its general woolen miniature line, which was invented in part to address the realities of manufacturing in Germany in the 1930s, so it is interesting to see it being used here to compliment and upscale this design. 

Steiffgal hopes this discussion on this wool plush kitty has tickled your whiskers!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Picturing The Possible Design Origins Of Steiff's Beloved Jocko Chimpanzee

Steiffgal was working a project for one of her auction house clients and came across this charming image. Well, actually it came to her... probably because Steiff is usually in her head at any given time!

Image from Potter & Potter Auctions

What we have here is a 28 x 37-¼" printed broadside from around 1913. It was published in Hamburg, Germany by Adolph Friedländer, a man who ran a lithography company that produced over 9,000 posters between 1872 and 1935. Most of these were for performers and traveling acts, including magicians and circus and vaudeville performers. The words on the poster read Every Evening / Jeden Abend / Tous Les Soirs, and it is illustrated with a performing chimpanzee in four vignettes: modeling a tuxedo and top hat with a cane and cigarette; tossing a barrel over his head; riding a bicycle down a flight of stairs; and walking on stilts. The three languages on the poster suggest that this primate performance was international, or at least appeared in the UK, Germany, and France. This item is lot #256 at Potter & Potter Auctions' February 1, 2025 Wunderkammer sale, and is estimated at $2,000-3,000.   

Image from Zwiggelaarauctions.nl

So what is the possible connection to Steiff here? It is interesting to note that starting around 1910 or so, trained, performing chimpanzees were the darlings of the entertainment world. They appeared in circuses, in sideshow and venue acts, and in publicity photos and postcards - usually dressed in scaled human clothing. Steiff has always been aware of current events, media trends, and popular culture as inspirations for new product design. This started around 1904 or so, when the company produced a licensed version of Peter Rabbit - who at the time was making headlines in the children's literature world. Other history/cultural/celebrity productions of basically the same era included a series of dolls based on the Happy Hooligans comic strip; Caesar, the King's dog; and Tige (Buster Brown's dog), among many others. 

Primates have appeared in several forms in the Steiff line since the company's catalog debut in 1894. However, in 1909, Steiff introduced its most realistic, lifelike, and appealing brown mohair chimpanzee. Coincidence or not?

Image from Steiff's 1913 catalog

This fully jointed primate pattern - which would "officially" be named Jocko in 1929 - had authentic body and limb proportions and lifelike felt hands, feet, and facial features. Medium sized Jockos onward sported a white mohair chin and featured felt eye pockets. This ocular detailing meant that their brown and black glass pupil eyes were surrounded by raised felt eyelids. Brown mohair Jocko was produced in 15 sizes, ranging from 10 to 90 cm, from 1909 through 1943 overall.  

Image from Zwiggelaarauctions.nl

Bringing this discussion full circle, Steiffgal found an almost identical version of this poster, except that it had the words "The great consul Patsy" written in large letters across the bottom. She could not discover additional details on Patsy, but infers that the chimp pictured may have been named Patsy. Patsy was a popular boy's name in the early 1900s, and derives from a Latin word meaning “noble,” “nobleman,” or “patrician.” It is intriguing to think that someone from Steiff may have seen this poster, or performance, or one like it, and decided that it was time to elevate the company's chimp design to match the popular aesthetic of the time. And collectors more than a century onward are thanking them for this really wise choice!

Steiffgal hopes this discussion on Jocko's possible design origins has been a feast for your eyes!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Strike Up The Brass Band Over This Mysterious Steiff Fawn

Oh deer! What do we have here? This charming field and forest friend is not only just lovely and elegant in design, but she also has a less obvious but totally WAH-HOO good surprise element to her as well. Get ready to fawn over this precious prewar rarity!

Here we have Steiff's 22 cm mohair fawn. She is standing, unjointed, and made from tan mohair. The lining of her ears and her tail are made from white mohair. Her face is detailed with black button eyes and a black hand embroidered nose and mouth. Her legs are particularly thin, shapely, and elegant and are made from velvet. She has a gentle, distinctly old fashioned look to her. This pattern was produced in 17 and 22 cm from 1934-1943.

Now for her little secret. Given her era of production, she would have left the factory with either a long or short trailing "f" style knopf, depending on her specific year of manufacture - with earlier versions having the long trailing "f" version and the later versions having the short trailing "f" version. However, this gal proudly wears an unusual BRASS colored short trailing "f" Steiff button and has traces of her yellow ear tag. The button measures 6 mm in diameter. This seldom seen branding appeared on a few Steiff items from 1933/34 through 1943. You can see that brass button in the photo below.  

So just how rare is this brass prewar button? It is really hard to quantify, as Steiffgal has only handled - literally - a handful of items with this distinctive ID in memory. In her personal collection, she has one prewar treasure with this distinction. This is a small standing Waldi dog. He 10 cm, unjointed, and made from copper colored mohair. He has long, floppy ears. His face is detailed with shiny black glass eyes and a black hand embroidered nose. His mouth is indicated by a little black airbrushing. Waldi wears his original green leather collar and has his "watermelon" shaped bare faced tag, with his name imprinted in crimson. This guy was made in 10, 14, 17, 22, and 28 cm from 1933 - 1943... the identical time frame as the fawn under discussion today. This prewar Waldi is pictured below on the left. 

It remains a mystery why Steiff used a brass button for branding some of their items during this turbulent geopolitical period. It might have to do with availability of materials, or shortages, or other rationing reasons. It is also not clear why some items would have a brass button, and others would not - as Steiffgal has seen examples of both the prewar Waldi and this fawn with Steiff's standard silver colored prewar IDs. Only these precious treasures know for sure... and they aren't talking!

Steiffgal hopes this discussion on Steiff's lovely prewar fawn with her unusual button has put the pedal to the metal for you.

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Color Me Beautiful With This Fabulous Antique Felt Steiff Rooster

Bird's the word with this next Steiff inquiry. A collector friend with a great eye just added this fine feathered friend to her Steiff hug. His coloration and form are simply outstanding! Julie shares, 

 

"I just got this adorable little felt Steiff rooster! I am excited to know more about him and to learn when he was made. The closest I can find to him in the Sortiment is on page 546, which is a little rooster on a wheeled platform. The colors are exactly the same. Mine is about 10 cm high, and that's accounting for him being bent over a bit. If he had a button would it have been in his tail? He has a rusty old pin stuck in his side which is interesting. His tail is in really great shape, I don’t see any potential holes for a button in it. Was there maybe something with the style of feet and legs or tail to distinguish him from the very early 1892-1905 production? I see some may have had felt covered feet. The seller said that his great grandmother was born in Austria and brought this rooster with her to the US around 1900 or a little later."

 

This fantastic find wins Steiffgal's admiration with flying colors! What we have here is one of Steiff's earliest commercially successful legacy animal patterns. This classic, full bodied standing felt rooster was produced for the standard line in 12, 22, 29, and 35 cm from 1892-1929 overall. Very similar patterns were made on eccentric wooden wheels in 12 and 22 cm from 1917-1929 overall; as a tumbling 17 cm version on a weighted wooden hemisphere from 1894-1918; as an 8 cm pull toy on a wheeled wooden cart from 1916-1919; and as the kingpin in a set of hen skittles from 1894-1914 overall. 

 

What makes this pattern so exceptional, and so timely, is its materials and form. In terms of fabric, Margarete Steiff launched her company in the late 1800s; she initially specialized in producing felt items including garments, functional pockets, and household items. Felt material was readily available and relatively easy to cut and sew. When she started to produce animals a few years later, Margarete discovered that felt also translated perfectly into feathers when precisely cut, layered, and placed in cascading natural hues. In terms of form, Steiff's turn of last century product development was based on "everyday" animals - those farm, field, and forest animals that folks in Giengen would come across on a regular basis. As such, this particular rooster pattern is practically a time capsule example of Steiff's earliest commercial production. 

 

Given its popularity, Steiff's felt rooster pattern appeared in the line in one form or another for nearly 40 years. As such, it can be challenging to exactly date any given example. The felt supplied for this item certainly had some natural variations in color and quality over time; this can account for minor differences in product appearances. Many artisans cut and sewed this rooster over its four decade long appearance in the catalog; because of this, variations in size, presentation, and button placement are also expected. For the most part, older versions of legacy items have a more distinctive, handmade, and organic look to them than their cousins produced a few years or decades onward. Julie's example has metal feet and legs which are wrapped in string to finish them. This detailing is seen on many of Steiff's earlier birds from the turn of last century, as well as on some smaller and/or baby birds through the 1920s. 

 

Given these factors, and that his original family can date him to the very beginning of the 20th century, it is Steiffgal's best thinking that this example might date from the pre-button period (i.e., produced before 1904). Also supporting this age guesstimate is the fact that there is no indication anywhere on the rooster of a small hole where a button may have been placed originally. Steiffgal has seen a Steiff button inserted in the tail feathers, waddle, or comb of the company's early felt rooster and hen production. She also thinks that Julie's bird is most likely a 12 cm version that was either made a little on the small side or which bent or shrunk a little over its nearly century and a quarter existence. 

 

Here's one final point about this barnyard buddy. Interestingly, is possible that this pint-sized rooster was used at one time as a pincushion. This would make sense given his size and materials, and may explain the rusty pin found in his side! And/or, it is possible that this pin could have been used during his production in Giengen and never removed by accident... but only he knows for sure!

Steiffgal hopes this discussion on this antique felt rooster has you crowing about Steiff's earliest production. 

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Here's A Delightful Steiff Auction "Tip" For You!

In the mood for a little trip across the pond? Steiffgal has just learned of a very exciting Teddy bear sale to be held on December 3, 2024 through Special Auction Services in Newbury in the U.K. The items under the hammer are all from the collection of Ian Pout, the founder of the legendary store Teddy Bears of Witney. This mecca, which unquestionably tops the short list of must visit places for cub collectors worldwide, opened in 1985 and was the first retailer in the U.K. to specialize in antique, vintage, and new Teddy bears. Ian is pictured here on the left, the image is from Special Auction Services.

Steiffgal has visited the Teddy Bears of Whitney at least twice. The first time, in the very early 2000s, she made the voyage to Witney from London solo, traveling on a series of trains and buses to get to the store. She remembers spending hours in the cozy space, viewing old and new Teds, and how magical it was to see the original red mohair Alphonso in person. Ian Pout was there, and was incredibly gracious and kind, touring her around the museum parts of the store. The next time Steiffgal went, it was with friends, so the fun was multiplied many times over. She and her fellow collectors also spent hours oohing and ahhing over the temptations on display. Of course, all left with at least one shopping bag of souvenirs! You can see a photo of this beloved destination here on the left, the image is from www.cotswolds.com. 

Now back to the sale. There is a preview of highlights from the event already listed at https://www.specialauctionservices.com/Auction-Calendar/2024/A-Special-Teddy-Bear-Collection, and Steiffgal suspects that the auction company will continue to post more as the collection is cataloged, photographed, and prepared for sale. It is a lot of work and very time consuming to prepare precious objects for sale - especially of this caliber - so patience is everything here. But, from what has been made public already, it is clear that Steiff factors heavily in the collection, with rare button-in-ear examples that also have amazing and universally recognized histories taking many of the top lot slots at this event. 

One thrilling highlight from this sale is Happy, a roaring 20s-era bear with so many tales to tell. According to Special Auction Services, this marvelous example is noted as, "Happy, a rare large eyed brown tipped Steiff teddy bear from circa 1926, which sold at Sotheby’s in 1989 for a world record auction price of £55,000 ($86,000) and bought by Paul Volpp for his wife Rosemary as an anniversary present. An enchanting girl bear with real presence, has since travelled the world raising over $100,000 for charity." She carries a presale estimate of £20,000-30,000. It is Steiffgal's understanding that the underbidder for Happy in 1989 was none other than a member of the British Royal Family! You can see this Happy here on the left, the image is from Special Auction Services. 

Happy dates from a joyful time in the company's product development history - the mid to late 1920s. It was during this era that several of Steiff's beloved named, novelty bears were introduced. These included Teddy Rose, Teddy Clown, Petsy, Teddy Baby, and of course, Happy! Happy was produced for a short time - from 1926-1927 only - in relatively low numbers. As such, examples are very few and far between on the secondary market. That is one of the reasons that this fine Ted - who is truly the package in so many ways - should catch the eyes and pocketbooks of collectors and historians worldwide. For context and comparison, the most recent Happy public auctions sale Steiffgal could find dates from a few years ago. A 51 cm example in fine condition hammered for 20500€ at Ladenburger Spielzeugauktion's Fall, 2022 sale. You can see that Ted pictured here on the left. 

For more information on this upcoming Teddy Bears of Whitney Sale, follow SAS' Facebook page at www.facebook.com/Specialauctionservices or check out their website at www.specialauctionservices.com.

Steiffgal hopes this auction announcement has put you in a very Happy mood indeed. 

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Begging For More Information On This Nearly Century Old Steiff Rabbit

Everyone loves a Steiff bouncing bundle of joy. And the bigger, the better - especially in this case! Check out this note from a new friend from London who asks about a begging bunny purchased at a fundraising event over four decades ago. His owner shares,

"Thank you for the facility to ask about Steiff toys. I'm 73 now and 40 years ago bought an old, straw stuffed toy rabbit at charity sale. He is 50 cm tall, not including his ears. As I'm a bit of a hoarder I only just came across it after some decades. It's large, in good condition, German mohair, has sewn eyes not glass ones and I gave it a new bow and bell. I was working in a youth club which had been established by ex-POW veterans who'd been incarcerated in Brunswick, Germany in WW2. So I wondered if perhaps one of them had brought it back to the UK. Is there anything more you could possibly tell me about it including its value?"

What a cheerful earful! What we have is Steiff's Hase or Rabbit. He is simply and generically named after his species and does not have a more personal or endearing name. This particular design was made from 1927 through 1941 in 11, 15, 18, 23, 29, 36, 44, 50, and 70 cm. Steiff's rabbits are usually measured vertically from head to toe and do not include the length of the ears. So this example under discussion here is the 50 cm size. Steiff produced this head jointed, excelsior stuffed rabbit in light brown tipped, white, gold, purple pink, and light blue mohair. All examples left the factory in Giengen decorated with a silk ribbon and a bell. 

This pattern was a home run for Steiff at the time, and continues to be a collector's favorite nearly a century onward. Given how adorable and popular this design was, Steiff also made it in velvet from 1927 through 1932 in 11, 15, and 18 cm in white, purple, orange, light brown, light blue, pink, and yellow. Steiffgal often refers to Steiff's 1920s-era playfully hued rabbits as "the jellybean bunch," given their joyful (and super sweet) colors. You can see examples of the velvet version of this pattern above on the left; the image is from Pfeiffer's 1892-1943 Sortiment. Below to the left is another late 1920's advertising photo for Steiff's rabbit line featuring the jellybean bunch; that image is from Esser's 1920-1929 Steiff Kataloge. 

Now for the question that always sends Steiffgal down a rabbit hole. How much is he worth? As always, something is worth what someone will pay for it, and Steiffgal has NOT seen or handled this rabbit in person. Condition is key when establishing a valuation, and he might have some issues (like smoke or insect damage) that just don't show up on photos. What we do know about him is that he has a little playwear to him, he is missing his oversized brown and black glass pupil eyes, and he does not appear to have any IDs. He looks like he might have been brown tipped originally, but that has faded a bit over time. It is also possible that his facial stitching has been augmented at some point. Given all that, it is Steiffgal's best estimate (sans a crystal ball) that this guy could trade hands in the c. $250-500 range on an online auction platform like eBay. 

Steiffgal hopes this discussion on this large, prewar rabbit has put a spring in your step today.

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Timecapsule Treasures On Offer At Ladenburger Spielzeugauktion's 2024 Steiff Special Auction

What's old is new again at this year's Ladenburger Spielzeugauktion's Steiff Special Auction on June 29th, 2024. This sale tempts collectors with almost 230 amazing and well curated lots of century-spanning button-in-ear treasures. One especially noteworthy category in this sale is items from the company's earliest production period - just before and just after the turn of the 20th century. Here are three "golden oldies" definitely worth checking out!

 

Let's start this trip back in time with lot #10. This is an extremely early dressed Steiff monkey, with an opening bid of 850 €. It is cataloged as:

"Steiff monkey, crouching, around 1900, pre-button era, felt, shoe button eyes, for shirr (missing), height: 17 cm, original felt clothes, smaller faults in the felt, nice original condition."

This sitting sweetie would love to hang out with you! It is Steiffgal's best guess that this is an example of the company's turn of last century felt monkey designed as a catch and release toy. If you notice his well formed hands, they look like they were designed to be holding something. Steiffgal thinks this would have been a piece of elastic string. So, someone could bounce him around as a toy on this cord. According to Pfeiffer's 1892-1943 Sortiment, this novelty was produced in 17 cm from 1897-1911 and was described as, "felt, brown, begging, elastic cord, tailcoat and slippers of felt." You can see the photo from this reference book here on the left for study and comparison. 

This next very vintage selection will have you moving and grooving. This is lot #6, a Steiff dancing bear, which carries an opening bid of 1800 €. It is cataloged as:

"Steiff dancing bear, around 1900, pre-button era, short plush, in very good condition, attending, dancing on a metal disc, casting wheels with spokes rubber coated, rubber is very worn, therefore the turn function isn't possible, squeaker, length: 68 cm (catalog proof 70 cm), shoe button eyes, one eye is a bit scratched, nose chain and stick, original pull rod, black and white picture in the Pfeiffer catalog page 37, and picture in the Steiff catalog from 1900, book Jürgen & Marianne Cieslik "Knopf im Ohr" page 27, an unusual piece from the beginnings of the Steiff-production, is a museum piece."

This amazing and little known mechanical bear, which was produced in 70 cm from 1898-1907, has a key role in the history of the development of the jointed Teddy bear as we know him today. In the late 1890's, Steiff produced a number of circus bear novelties. These were considered "action toys" as they designed to give movement to the toys. These included this dancing bear on a circular wheeled cart; bears on platforms with bristles supporting them; a bear on a cart with metal wheels; and tumblers in different configurations and sizes. The bears on the platforms with bristles would move when someone tapped the table on which they were standing - so they would sort of "shimmy" about. You can see a few of these early examples here on the left, the photo is from Cieslik's Button in Ear: The History of the Teddy Bear and His Friends.

Richard Steiff wanted to create more playful, dynamic, and child-friendly versions of these static/moving bears, and he took this challenge seriously. He studied the way real bears move at the zoo. Mohair became available on a commercial level around 1902. He married those two facts, inserted his creativity, and came up with the patterns for a series of fully jointed bears, starting with string jointing, then rod jointing, then disk jointing. Steiff's disk jointing system has not changed much since its introduction over a century ago. 

At the tail end of this discussion is lot #9, a very large and early monkey. He has an opening bid of 1800 € and is cataloged as:

"Steiff monkey, 1904, length: 80 cm, mohair plush, velvet ears, face and hands, PPB, shoe button eyes, elephant head, nice full mohair, velvet is a bit worn, small open place at the head mounting in the back, the wire mounting is visible, very expressive, an early unusual piece from the beginnings of the Steiff production."

This big boy is a fine example of Steiff's early - but not earliest - monkey patterns. This basic design debuted in 1904 and appeared in the line through the 1920s in a variety of slightly modified versions over time. He was produced with and without a tail, in a number of fabrics including brown and white mohair, and with felt or velvet hands and facial features. Given his elephant button, the one under discussion here was produced in the c. 1904-1905 time frame. 

One super interesting thing about this marvelous monkey is the company he keeps. This monkey appears in a 1903/04 catalog photo used to debut the company's new editions at the annual Leipzig Spring Fair. But what's so special about that? It's the same picture that debuted PB55... the world's first jointed Teddy bear. Talk about being at the right place at the right time, eh? A snapshot of this catalog page is shown here on the left. You can spot this monkey in the very far back right of the picture - just click on the image to make it bigger. The photo is from Cieslik's Button in Ear: The History of the Teddy Bear and His Friends.

Steiffgal hopes this discussion on these time capsule treasures has brought history to life for you. 

 

For more information on this June 29, 2024 sale, please check out the company's website at https://www.spielzeugauktion.de/.

 

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.