Care To Go On A Date With Steiff's Delightful Prewar Rabbits?

Rabbits have always ranked among Steiff's top categories of animals manufactured, with the others being dogs, cats, and bears. Rabbits have appeared in Steiff's catalogs since their debut in 1892. At least 7 examples were featured in this first issue alone. It is interesting to note that Steiff's rabbits are "officially" measured vertically, sans ears, and that through 1937, all were called "Rabbit." In 1938, Steiff introduced "Ossi," the first named rabbit. Ossi is a nod to the German word "Ostern," which translates to "Easter" in English.

Steiff's rabbits have evolved significantly over time, which makes them somewhat easy to date if they lack their buttons or ear tags. Here's a summary of their key characteristics through the mid-1940's when the company stopped production due to World War II. The picture above on the left features a rabbit doll, two miniature rabbits, and a sitting rabbit.

Steiff's rabbits from c. 1892-1910 featured simple, “primitive” patterns with chunky proportions. They were unjointed, or VERY jointed, with head, limb, and ear jointing. Their faces were detailed with simple facial stitching and black button eyes - sometimes backed in felt - or pink and red albino eyes, or glass pupil eyes starting around 1908. These earliest buns were made from felt or velvet, often with painted spots. Mohair rabbits debuted around 1903, when this fabric became available on a commercial level. You can see an adorable, more than fully jointed white mohair albino rabbit from around 1909 here on the left. Even his little ears are jointed - and you can move them around 360 degrees!

Steiff's rabbits from the 19-teens to the early 1920s had slightly more sophisticated and lifelike presentations. They were primarily unjointed and made from tan, white, grey, or white mohair. They came to life with simple facial stitching and glass pupil eyes, sometimes backed in red felt, or pink and red albino eyes. 

Steiff's rabbits from the mid-1920s to the early 1930s had a very distinct aesthetic. The patterns introduced during this era were childlike and detailed with oversized glass pupil eyes. In addition to natural colored examples, Steiff also made rabbits in jellybean hued velvet, as well as longer nap mohair. Their facial embroidery included a triangular nose outlined in distinctive long stitches. Also during this time, Steiff produced a number of charming rabbit novelties, including tail-moves-head models, pajama bags, pull toys, and rabbit dolls. Here on the left you can see a four adorable, sitting velvet jellybean rabbits from this era. Check out their very characteristic nose stitching!

Steiff's rabbit designs from the mid-1930s through the mid 1940s reflected the socio-economic realities of life leading up to WWII. These patterns were noticeably less playful and colorful than those made just a decade previously. Rabbits were again produced in natural colors. Their patterns were simplified and had a "lean and pensive" presentation. With wool materials allocated towards military production, Steiff began using substitute fabrics, including artificial silk plush and wool plush in the place of mohair, and linen in the place of felt, on their best-selling rabbit patterns. Rabbits from this era once again had very simple embroidered facial features and proportional glass pupil eyes. Here on the left you can see two very typical late 1930s-early 1940s rabbits; the running one on the left is made from wool plush and the sitting one on the right is made from artificial silk plush.

I hope this discussion on dating Steiff's prewar rabbits has been a cheerful earful for you!

Bibbed Beauties: Steiff's Rare And Wonderful White Zotty Bears

Steiff's White Zotty bear, in the line for only two years, remains a collector's favorite more than six decades post his introduction. Here's a little more about this pattern, within the context of his legacy Zotty bear design. 

“Zotty” is from the German word “zottel,” which means “shaggy," and as such, is the perfect name for this signature Steiff bear. He was designed as a breath of fresh air after the factory reopened for toymaking business post WWII as his elements truly reflected the optimism and aesthetics of the 1950s. He was instantly popular, and many other toy companies introduced copycat Zotty bears as a result of his success. These companies would vary the pattern just enough not to infringe on the Steiff version.

Zotty’s legacy (and perhaps namesake) goes back over a century. In 1914, Steiff debuted their first “Zottlebaer” or “Shaggy Bear. ” He was in the line through 1927 and was known for his shaggy coat, sweet face, and soft texture.

Steiff's debut, midcentury Zotty bear was produced in 9 sizes ranging from 17 - 100 cm from 1951 through 1978. He was fully jointed and made from long shaggy caramel tipped mohair with an orange bib and a shorter mohair muzzle. His paw pads were made from felt. Earlier versions had glass pupil eyes, while later versions had plastic pupil eyes, for safety reason. Depending on size and era, Steiff sometimes backed the eyes in felt. Zotty featured an open, felt lined mouth, an embroidered nose, and distinctly toddler-like proportions. Zotty was created by Steiff designer Mr. Siegfried Zeller (1915-2000) around 1949-1950. His son, Rolland Zeller (1944-2008) also worked for Steiff and designed over 2,000 items over the course of his career there. You can see this great Steiff duo, along with an original caramel Zotty bear, in this photo on the left. 

Given his supersonic rise in popularity, Steiff debuted a white version of Zotty in 1960. He was made in 28 or 35 cm. He had almost identical design details as his caramel tipped cousin, but was made from very shaggy white mohair. In Steiff's 1960 new releases catalog, he is pictured along with a Disney Perri squirrel and a mohair Nagy beaver who were also relatively new products in the line at that time. Both Perri and Nagy which would go on to appear in the catalog for decades. You can see this catalog page here in the photo on the left. 

It is not clear why White Zotty was produced in so few sizes, relative to the standard line Zotty, or why he was discontinued just a year later in 1961. Traditionally, white mohair Steiff bears are quite popular and sell really well. It is possible that he just did not take off with customers, and/or the finances did not make sense. It is also possible that his white mohair was not available, or really expensive, or simply was challenging to work with. Whatever the reason - only he knows for sure!

Steiffgal hopes this discussion on the history of Steiff's white mohair Zotty bear has been a hair raising experience for you!

Having A Quack-Attack Over Steiff's Fantastic Duck Chain History

Steiff's Duck Chains are charming novelties that were traditionally produced in the form of a mother duck with two, three, or five babies in tow. These birds on the go rode upon eccentric wooden wheels which truly captured their natural strides. This Duck Chain image above with five ducklings is from Ladenburger Toy Auctions. 

Toys with "eccentric wheels" have appeared in the Steiff line for over a century. Steiff even owns a patent on this mechanism! The way it works on rolling items is that the wheels are aligned off center or on a bent axle, causing them to move up and down when rotated. Eccentric wheels were invented accidentally, but Steiff realized the opportunity created by their drilling mistakes. The first animal to appear on eccentric wheels was a duck. Steiff launched this item in 1912 as... "This waddling felt duck with brightly colored fathers is fixed onto solidly built, eccentric wooden wheels, which provide the duck with its characteristic waddle. Also fitted with a deceptively realistic "quack-quack" voice. A droll little toy."

Steiff's first and legacy Duck Chain, also on eccentric wheels, debuted in 1917 and was made from felt. It consisted of a 10 cm mother duck (pictured here on the left) and two or five 6 cm ducklings (pictured just below.) All were unjointed and stuffed with excelsior. They had grey bodies and green wings and heads. Their wings were decorated with embroidery. Their beaks, legs, and feet were made from orange felt, and their eyes were little black buttons. The mother was cataloged as article number "2110,42 ex," and the ducklings were cataloged as article number "2106 ex." These numbers translate to: 2= lying; 1=felt; 10= 10 cm and 06= 6 cm; 42= simple pattern with a voice; and ex= eccentric wheels. These were branded with Steiff buttons and tags on their felt feet. 

 

In terms of their vehicles, the mother sat on a square metal wire carriage with four wooden eccentric wheels. When she was pulled, she waddled and made a peep sound which was generated by a movement activated voice box embedded in her belly. The ducklings were each mounted on a diamond shaped metal wire carriage with two wooden eccentric wheels. They did not have a voice box. Loops and hooks at the end of the carriages kept the family linked together. This felt Duck Chain was featured in the Steiff catalog through 1932.

 

Duck Chains were also produced in other materials over the years. In the prewar era, the felt version was produced from 1919-1921 in a substitute plush because felt was in short supply for toy making purposes during and shortly after World War I. From 1925-1936, Steiff produced its Duck Chain with two or five ducklings in mohair. Duck Chains appeared in colorfully painted wood from 1924-1927 overall and then in an updated model with integral wheels from 1932-1943. After the debut of the woolen miniature line in the early 1930s, a woolen miniature Duck Chain featuring a drake and three ducklings, all on wooden wheeled metal carriages, appeared in the catalog from 1934-1941. You can see this petite treat here above on the left; the image is from Ladenburger Toy Auctions. 

Postwar, Duck Chains were produced from colorfully painted wood in families of four birds riding on integral eccentric wheels from 1949 through 1966. You can see an example of a 1950s era Steiff wooden duck chain here above on the left; the image is from Ladenburger Toy Auctions. Duck Chains made their final appearance in the catalog from 1969-1973, as a family of four birds in sanded beechwood, decorated with burned-in markings and riding upon large red eccentric wheels that were integral to their bodies. 

 

Steiffgal hopes this discussion on the history of Steiff's Duck Chain production has fully aligned with your expectations!

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Going Loopy Over The History Of Steiff's Wolf Production

Some of Steiff's creations leave collector's howling in delight. It is safe to say wolves are one of those very special designs! These majestic creatures did not appear in the Steiff line until 1956 - more than six decades onward from the company's late 1890s debut catalog. Let's join the pack and check out some of these field and forest highlights that have graced the Steiff catalog over the years.

Steiff's debut wolf was a 17 cm tall puppet named Loopy. His body was made from tan mohair with grey highlights on his back and arms. His face was made from longer tan mohair; it was airbrushed with a few shades of grey, tan, and brown to give it depth and texture. He came to life with black and green slit eyes, a black stitched nose, and an open, felt mouth - complete with four pointy teeth and a red felt tongue. His paws had black hand embroidered claws. This design was produced from 1956 through 1978. You can see this puppet pictured here on the left. 

Steiff's next wolf was based on the company's Loopy puppet, and was a full bodied creature. This is unusual as Steiff traditionally debuted a full bodied item, and then created a puppet novelty from that item's pattern - not the other way around. Full bodied Loopy was made in 25 and 35 cm. He was unjointed and made from long and short grey mohair, which was detailed with airbrushed highlights. He had black embroidered claws and came to life with an inset facial mask, brown and black pupil eyes, black embroidered facial features, and a touch of airbrushing. The smaller version had a closed mouth; the larger version had an open mouth with a felt tongue. Loopy was produced in 1964 only and today is one of the rarest and most sought after Steiff postwar editions. You can see the 25 cm version of full bodied Loopy here on the left. 

It is not clear why standing Loopy appeared in the catalog for only a year. He is pictured in the Steiff Button In Ear Brand New Models 1964 catalog on page three of this publication and you can see that entry here on the left. Snurry, the sleeping cat, and a white dralon Cosy Teddy graced the cover of this brochure. Steiff usually put its most important debut items on the cover of these publicity pieces. This suggests that the company never had high hopes for this design.

Other somewhat more recent mohair wolves in the line include the distinctly youthful Loopy wolf, who was 12 cm, sitting, and head jointed. This happy handful appeared in the line from 1991-1993 and is also relatively rare. You can see him here on the left. And in 2003, Steiff introduced a wolf as part of the company's Last Frontier Animals series for North America. This example was 26 cm tall, standing, and made in an edition size of 1,500 pieces.

It is interesting to note that Steiff's wolf production has traditionally featured wolves as companions to other dolls or animals. Here are a few examples of that. In 1983, Steiff made a mohair Big Bad Wolf face mask in an edition size of 3,000 to accompany Reeves International's Suzanne Gibson Little Red Riding Hood set. In 1988, the company produced an adorable Teddy baby and wolf set made in an edition size of 1,000 for the toy store Speilwaren Wolff of Giengen, Germany as part of Steiff's 85th anniversary celebration. This mohair wolf was 15 cm tall, standing, and unjointed. And in 1995, Steiff introduced its Polar bear and wolf set - also for Speilwaren Wolff - in an edition size of 2,000 pieces. This wolf was sitting, unjointed, and was detailed with a red collar. You can see this handsome pair here on the left. 

And finally, what is the tie between the word "Loopy" and Steiff's midcentury wolf production? "Lupin" sounds a lot like the name Loopy - and for good reason! Lupin (or lupine) directly translates to wolf or wolf-like, and originates from the Latin word lupus (wolf) and lupinus (of or belonging to a wolf). So that all makes perfect sense from a naming perspective.

Steiffgal hopes this discussion on Steiff's wolf production has you running with the wolves - in the best possible way!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.