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It's white-out conditions - in a very big way - when it comes to this next SteiffLife blog inquiry. Who knew Polar bears roamed Salt Lake? But apparently they do, at least in this lucky collector's home. Greg from Utah writes:
Size certainly defies when it comes to this big boy. Given Greg's note, and the bear’s IDs, materials, and presentation, Steiffgal can confirm that this is a Steiff Studio Polar bear, and that it probably dates from the mid 1970s through the early 1980s. The size certainly confirms its Studio status - meaning that the item is life-sized, or created in pre-historic proportions. As far as Steiffgal can tell, he does not have a "name" other than something descriptive like Studio Standing Polar Bear, so Greg has the opportunity to name him anything he'd like! And, for his origins... it is possible that he made his way from Giengen to an area museum, toy store, or zoo awhile back as a display or window feature. But only the Polar bear knows for sure!
The devil is in the details - and their interpretation - when it comes to dating this polar pal, as Steiffgal was not able to find any specific reference to this design in her reference materials at hand. This bear's materials and detailing are consistent with display sized items of the mid 1970s through the early 1980s, with three factors rising to the tip of the iceberg.
1. Material. The "heyday" of premier Steiff Studio animal production was in the 1960s, when the company produced many extraordinary, lifesized species in mohair. As this fabric became more expensive in the 1970s onward, the company started transitioning production towards synthetic materials, including long woven fur like this.
2. Facial detailing. Mid-century Studio items also usually had finely executed facial detailing, including elegant and lifeline hand embroidered noses and mouths. This example has a solid black nose which has been inserted into his facial muzzle. This sort of nose treatment - using cloth, faux leather material, or a 3D plastic or rubber version - is seen frequently on items from the third quarter of the 20th century onward.
3. IDs. The appearance of the item's yellow cloth ear tag and Steiff button is consistent with the time frame under discussion. Throughout the 20th century, it was not unusual for Steiff animals that were not standard line, or that were produced in very small numbers, to have hand-written numbers on their oversized eartags. Steiffgal has several "larger than life" 1950s through 1980s era items with yellow ear tags and hand-written numbers. And for the larger metal script style button - this exact detailing appears on her standing Studio Panda, which was produced most likely in the 1972 through 1980 timeframe.
Steiffgal hopes you found this discussion on this Studio Polar bear a great opportunity to chill out - in the best possible way.
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Here we have three Steiff pandas. All are 12 inches tall or 30 cm, 5 ways jointed, and made from black and white mohair. They have small, somewhat triangular shaped open, peach colored felt lined mouths, brown and black pupil eyes, and black, horizontally stitched noses. The black around their eyes, as well as across their back, is airbrushed. Like Steiff's beloved Teddy baby pattern, these also have flat, cardboard lined feet made for standing and downcurved wrists.
This adorable, child-like Panda design was launched in 1938, the same time Pandas made their grand debut at several zoos across the world. Prewar, this perky Panda was made in 15 and 30 cm through 1942. Postwar, this identical Panda design appeared in the line in 30 cm from 1949-1950. In 1951, Steiff updated its Panda design, producing their happy black and white cub in 15, 22, 28, 35, 43, and 50 cm from 1951 through 1961. The new model was produced in larger sizes than previously offered and had a different facial configuration, including a rounder mouth and a fuller, more sculpted muzzle. He had grey felt paw pads from 1951 through 1956 and suede-like grey rubber material paw pads from 1956 onward. The "updated" design from 1951 onward is pictured here on the left for your comparison.
So now let's jump to some material matters when it comes to this jolly trio of early Steiff Pandas pictured at the top of this post. It's true they could be triplets, sort of. All are the companies pre-1951 pattern. But check out their paw pads and IDs - they are really quite diverse. The one on the far left has thick grey felt pads that have black fibers woven within the fabric. His ID is a raised script button. The one in the middle has linen pads and a short trailing "f" button. And the one on the right has regular grey felt pads and his raised script button and yellow ear tag as his IDs. A close up shot of the unusual grey and black felt pads, and the linen pads, are featured here; you can click on the image to enlarge it.
Hum, well, this will take some sorting out... and not all the dates and time lines align perfectly here. That's pretty standard when it comes to Steiff "mid-century mysteries."
All panda-monium broke out when this sweet cub joined Steiffgal's hug. This of course is Steiff's smallest fully jointed, post war panda. He is 15 cm, made from black and white mohair, and has an open, peach colored velvet lined mouth lined in black. His absolutely irresistible face is detailed with brown and black pupil eyes and a black hand embroidered nose; the black circles around his eyes are airbrushed. He retains his original pink silk ribbon. This particular model was made in 15, 22, 28, 35, 43, and 50 cm from 1951 through 1961. This panda was produced with grey felt paw pads from 1951 through 1956 and suede-like grey rubber material paw pads from 1956 onward. This panda has felt pads, dating it from the early 1950's.
Panda retains his original white string tag from the high end, national department store Lord and Taylor. This store is still in business, and still sells Steiff items in their larger stores with toy and baby departments. The tag itself has four rows of numbers and codes. The only ones that Steiffgal can decipher is a code the second row - "5315" which matches his ear tag number, "6" on the third row which probably corresponds to 6 inches tall (his height), and 1.95 on the last row, which is most likely his price in dollars. Assuming that he sold in 1951, $1.95 in 1951 had the same buying power as $18.83 in 2017.
Tabby has her pricetag from Marshall Field and Company, a department store that began in the Chicago, IL area but expanded rapidly to other states in the mid to late 20th century. Steiffgal grew up in the Chicago area, and spent many happy hours in these stores, often nibbling on their legendary "Frango Mint" candies. Sadly, Marshall Field does not exist anymore, having been bought by the Macy's chain in the early 2000's. This tag has three rows of numbers. The only one that Steiffgal can decipher is the last row, being "18.00," most likely her price at the time. Assuming that she sold in 1969, $18.00 in 1969 had the same buying power as $122.42 in 2017.
Given Easter is on the horizon, let's take a look at a fine bunny as our last example of "tag, you're it!" Here we have the smallest example of Steiff's sitting rabbit. She is 8 cm, not jointed, and made from tan mohair that is airbrushed with tan, brown, pink, and black details all over her back, sides, and ears. She has beautiful black and brown pupil eyes, a red hand embroidered nose and mouth, and clear, playful whiskers. She retains her original blue silk ribbon and bell. This particular pattern was produced 8, 9, 15, and 18 cm from 1950 through 1974; she was called Rabbit from 1950 to 1966 and Sonny from 1967 onward. This particular example is numbered 3308,03, dating her in the 1965 to 1967 time frame.Looking to rehome one fine piece, or an entire collection of vintage Steiff? Yes... you've come to the right place - almost! Click here to learn how to work with Steiffgal to rehome your button-in-ear treasures.