Going Loopy Over The History Of Steiff's Wolf Production

Some of Steiff's creations leave collector's howling in delight. It is safe to say wolves are one of those very special designs! These majestic creatures did not appear in the Steiff line until 1956 - more than six decades onward from the company's late 1890s debut catalog. Let's join the pack and check out some of these field and forest highlights that have graced the Steiff catalog over the years.

Steiff's debut wolf was a 17 cm tall puppet named Loopy. His body was made from tan mohair with grey highlights on his back and arms. His face was made from longer tan mohair; it was airbrushed with a few shades of grey, tan, and brown to give it depth and texture. He came to life with black and green slit eyes, a black stitched nose, and an open, felt mouth - complete with four pointy teeth and a red felt tongue. His paws had black hand embroidered claws. This design was produced from 1956 through 1978. You can see this puppet pictured here on the left. 

Steiff's next wolf was based on the company's Loopy puppet, and was a full bodied creature. This is unusual as Steiff traditionally debuted a full bodied item, and then created a puppet novelty from that item's pattern - not the other way around. Full bodied Loopy was made in 25 and 35 cm. He was unjointed and made from long and short grey mohair, which was detailed with airbrushed highlights. He had black embroidered claws and came to life with an inset facial mask, brown and black pupil eyes, black embroidered facial features, and a touch of airbrushing. The smaller version had a closed mouth; the larger version had an open mouth with a felt tongue. Loopy was produced in 1964 only and today is one of the rarest and most sought after Steiff postwar editions. You can see the 25 cm version of full bodied Loopy here on the left. 

It is not clear why standing Loopy appeared in the catalog for only a year. He is pictured in the Steiff Button In Ear Brand New Models 1964 catalog on page three of this publication and you can see that entry here on the left. Snurry, the sleeping cat, and a white dralon Cosy Teddy graced the cover of this brochure. Steiff usually put its most important debut items on the cover of these publicity pieces. This suggests that the company never had high hopes for this design.

Other somewhat more recent mohair wolves in the line include the distinctly youthful Loopy wolf, who was 12 cm, sitting, and head jointed. This happy handful appeared in the line from 1991-1993 and is also relatively rare. You can see him here on the left. And in 2003, Steiff introduced a wolf as part of the company's Last Frontier Animals series for North America. This example was 26 cm tall, standing, and made in an edition size of 1,500 pieces.

It is interesting to note that Steiff's wolf production has traditionally featured wolves as companions to other dolls or animals. Here are a few examples of that. In 1983, Steiff made a mohair Big Bad Wolf face mask in an edition size of 3,000 to accompany Reeves International's Suzanne Gibson Little Red Riding Hood set. In 1988, the company produced an adorable Teddy baby and wolf set made in an edition size of 1,000 for the toy store Speilwaren Wolff of Giengen, Germany as part of Steiff's 85th anniversary celebration. This mohair wolf was 15 cm tall, standing, and unjointed. And in 1995, Steiff introduced its Polar bear and wolf set - also for Speilwaren Wolff - in an edition size of 2,000 pieces. This wolf was sitting, unjointed, and was detailed with a red collar. You can see this handsome pair here on the left. 

And finally, what is the tie between the word "Loopy" and Steiff's midcentury wolf production? "Lupin" sounds a lot like the name Loopy - and for good reason! Lupin (or lupine) directly translates to wolf or wolf-like, and originates from the Latin word lupus (wolf) and lupinus (of or belonging to a wolf). So that all makes perfect sense from a naming perspective.

Steiffgal hopes this discussion on Steiff's wolf production has you running with the wolves - in the best possible way!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

A Brief Revue Of All Steiff Things 'Goo!

Marsupials are a subclass of mammals, with one key difference: all females deliver their babies prematurely and nurture them in their pouches, sometimes for up to a year. Today, there are only 344 species of marsupials on the planet; most live in Australia, New Guinea, and the surrounding island nations. Perhaps the best known marsupials are kangaroos - who also happen to have a long history in the Steiff line! A fine example of the company's late midcentury 14 cm Linda Kangaroo is pictured here on the left. 

These “pocketed pretties” were one of the very earliest animals made by Steiff. The first ones were produced in 1897 – only five years after the company published their first catalog in 1892, and nine years before the introduction of the button-in-ear trademark in late 1904. These 1897 standing, unjointed 'goo debuts included a 28 cm version made from short pile plush and a felt model made in 12, 17, and 28 cm. 

Soon after, in 1902, Steiff introduced a velvet kangaroo in 12 and 17 cm that was similar in design to its felt offering. The 12 cm velvet version also was produced with a basket on its back as a pincushion from 1902-1905. The 17 cm versions of both the felt and velvet kangaroos were made as tumblers on wooden hemispheres from 1901-1905 overall. You can see an example of that here on the left, the photo is from Pfeiffer's 1892-1943 Sortiment. These turn of last century models may have been male as none had pouches. All were basic in design and in some ways looked more like little rodents than the bouncing beauties intended.   

 

That possible case of “mistaken identity” did not last long. In 1906, Steiff updated their original kangaroo pattern to make it more lifelike; the new model was now five ways jointed, made from short pile plush, had a robust curved tail and shapely limbs, and a much more detailed face. New kangaroo was produced in 35, 43, 50, and 120 cm and was available through 1917. 

It was not until 1929 that Steiff’s kangaroos were again updated; many of these new design features remained on kangaroos through the 1970s. Most importantly, this late 1920’s pattern finally included a pouch and a joey, starting in 1933! These models were made from mohair and were manufactured in 35, 43, and 50 cm through 1939. The joey was 10 cm and also made from mohair; interestingly, his construction consisted just of a head and body and no limbs. He resembled a cute bottle-stopper with a mouse-like head. 

Fast forward to 1953. The factory had reopened after the war and Steiff was jumping at the bit to rebuild its toy empire. They introduced Kangaroo “Kangoo”, who was very similar to the prewar design. Mohair Kangoo was made through 1966 in 14, 28, 50, and 65 cm. The biggest one debuted in 1958; here on the left, you can see the 65 cm version as it was introduced in the company's catalog that year. The larger versions were arm jointed; all sizes were made with a pouch. The 14 and 28 cm Kangoos had plastic joeys, the 50 cm size had a velvet joey, and the 65 cm size had a mohair joey; all the joeys were “full body." Kangoo also appeared, albeit less frequently, without a pouch as a male Kangaroo. You can see an example of the "pouchless" Kangoo below on the left. 

A newer but similar kangaroo design named "Linda" took Kangoo’s place in the Steiff line from 1967 through 1974. Linda was made in 14, 28, and 50 cm; like Kangoo, the 14 and 28 cm Lindas had plastic joeys and the 50 cm size had a velvet joey. In 1960, Steiff debuted its postwar Studio Kangaroo; this big bouncing beauty was head and arm jointed and had a prominent pouch and darling joey. This model appeared in the line in 150 cm through 1967; she was also made in 120 cm in 1967. 

Steiffgal hopes this discussion on the history of Steiff's 20th century kangaroo evolution has you jumping for joy!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Let The Games Begin With This Sample Steiff Lake Placid Olympic Games Mascot!

Steiff's century-spanning anthropomorphic animal dolls are the best of all worlds. But is it possible there is one that is truly worthy of an Olympic gold medal? Steiffgal thinks so - and is over the moon thrilled to welcome one into her hug. This winter-themed wonder was purchased decades ago in Europe by his previous family. Check out this remarkable Steiff raccoon doll and see what makes him so COOL - literally - from the product design and historical perspectives.

Here we have a sample Steiff Roni the Raccoon doll, made as a possible licensed souvenir item for the 1980 Winter Olympic Games. These were held in Lake Placid, NY from February 13th-24th, 1980. Roni, who was named as a nod to the venue's Adirondack mountain range, was the cartoon mascot for this event and was designed by commercial artist Donald Moss. Roni himself is 25 cm tall, standing, and unjointed. His head is made from short grey plush with an inset velvet facial mask. His pupil eyes are highlighted with black airbrushing to give him his traditional "raccoon bandit" look. He has a black embroidered nose and a pink painted mouth. His ears are lined in velvet and have a little pink airbrushing to them. He has a very long, fluffy, and bushy tail. Roni's winter garb, which is made from velvet and integral to his body, includes green gloves, a blue snowsuit, and red boots with brown soles. He wears a white bib which has the event's official Olympic logo hand rendered in black on either side.

Roni is branded with his Steiff ear tag and button. Steiffgal doubts he was produced with a chest tag for two reasons; first, he was made as a sample so there really was not need for this tag. Also, his custom bib is so interesting and so integral to his chest, a chest tag would be redundant or even interfere with his presentation. His yellow ear tag is generic and without digits, so this pattern was probably never assigned an article number. This style of ear tag appeared on items made in the c. 1969/1970 through 1980 era. And his thick, brass style ear button with the script word Steiff on it debuted in 1979. So given the games were in 1980, and it could take a year or so for a licensed product to go from idea to production - all of these dates point to his production taking place in 1979.

It is not clear why Steiff's Roni doll never went into production. He is on brand, matches the official event logo to a "T", isn't terribly complicated or expensive to manufacture, and is super, super cute! Steiffgal suspects it may have something to do with legal or financial complications often associated with international commercial licensing agreements. However, other companies were able to get production licenses to make Roni dolls, including a version on ice skates. Of course, these simpler patterns were nowhere as fabulous as Steiff's full blown interpretation of Roni! It is interesting to note that Steiff was able to produce Olympic branded and licensed items for other Olympic games, including the 1972 Munich games, the 1998 Nagano games, and the 2010 Vancouver games, among others.

It is nearly impossible to find out any additional details on Roni and this stalled Steiff Olympic project. The only footnote Steiffgal could find was a reference in Dee Hockenberry's, book, Steiff Bears and Other Playthings Past and Present. Concerning the Roni doll, she notes: Prototype Raccoon: 11 inches. In 1978 and 1979, Steiff, through their US representative, made presentations to the American Olympic Committee in order to obtain a license to make 1980 Olympic souvenirs. Three prototype were made incorporating the Lake Placid mascot and Olympic logo. Although the samples were attractive, an official license was never granted. These are the only examples ever made.

Steifgal hopes this discussion on this Roni the Raccoon Olympic prototype doll has been one for the record books for you. 

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Starting 2026 Off In A Steiff Supersized Way!

Sometimes the most unexpected and super-scaled treasures appear almost out of the blue! Such is the case with this fantastic and extremely large prewar Steiff Ted. And just how big is he? Well, Steiffgal could barely pick him up and move him about for his photo session! Take a look at this titan-Ted and see what makes him so fantastic from the design and historical perspectives. 

Here we have a HUMUNGOUS classic and traditional five ways jointed Steiff Teddy bear. He measures approximately 115 cm tall or 45 inches tall standing, is made from dark blonde mohair, and solidly stuffed with excelsior. He has a pronounced back hump, a partially trimmed muzzle, long narrow feet with felt pads, proportional brown and black glass pupil eyes, and a black embroidered mouth, nose, and claws. He retains his long trailing "f" button and traces of his white ear tag; these IDs date his production most likely to the mid 19-teens or early 1920s. 

This gentle giant is the largest sized standard line bear produced by Steiff prewar; this huge size was made from 1905-1933. This is only the second jumbo mohair prewar Ted Steiffgal has handled - these big boys are super rare. Steiffgal suspects not many were made, and those produced most likely were destined to be showpieces or window displays. It really is not possible that a child could interactively play with a bear of this size given the weight and heft of him.

Big Ted was most recently in the collection of Iris Carter, a passionate Teddy bear and Steiff collector from Virginia. Iris was inspired to start collecting Teddy bears when she read Peter Bull's The Teddy Bear Book, which was first published in 1970. It would be so interesting to learn how and where she adopted this bear, given his rarity and timeline.

Like many old friends, this bear had a few condition issues typical to larger prewar bears. Mostly these had to do with his ankles and feet pads. His ankles had some splits and damages, and his felt pads were dried out and flaking off. Both of these issues can be addressed with gentle and sympathetic restoration. 

However, Steiffgal came up with an idea to help stabilize those vulnerable areas until this work happens. Given his feet and legs were so oversized, standard commercial socks were not an option here. However, there is such a thing as bariatric socks, which are soft socks which are designed to cover the feet and ankles of people with extreme Lymphedema - or very, very swollen feet and calves. You can see what these look like here. This protective footwear stretches to 30" at the calf, up to 21" in the foot, and up to 14 E shoe width. These socks fit this big bear really well and provided a somewhat attractive way to cover and protect his pads, feet, and ankles up to almost his knees!

Steiffgal hopes this discussion on Iris Carter's terrific Ted has launched your 2026 in the most supersized way possible!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

This Oversized Steiff Cat Is Kind Of A Big Deal!

Talk about a wow-wow-wow meow find! Steiffgal was handling a small collection for a new friend and came across this most unexpected item amongst a number of other button-in-ear treasures. According to the consigner, all of these precious childhood Steiff companions were purchased at F.A.O. Schwarz in the late 1950s and early 1960s. That information was good to know... but proved really invaluable in this particular case. Come learn more about this purr-fect Steiff rarity. 

What we have here is a supersized Steiff Fiffy cat. She is lying, head jointed, and made from white mohair that has been carefully hand-airbrushed with black stripes. Her tail wraps around her rear in a most realistic way. She has green and black slit pupil eyes, and a pink embroidered nose, mouth, and claws. Her pink ribbon appears to be original to her. Steiff's standard line Fiffy cat was produced from 1955-1962 in 12, 17, and 25 cm. This Fiffy retains her button, ear tag, chest tag, and red wooden bell shaped F.A.O. Schwarz tag as her Steiff IDs. 

Soooo... what's the big deal here? Well, this gal is UNUSUALLY large, and in fact is 30 cm. The largest one noted in the standard Steiff reference books is 25 cm. This example has a yellow ear tag which is numbered #2330.90. These digits translate to: 2=lying, 3=mohair, 30=size in cm, 9=special edition, and 0=normal or natural coloring. Given her dimensions, numbering, and presentation, it is Steiffgal's best thinking that this monumental Fiffy was produced as a special edition item for F.A.O. Schwarz in the mid 1950s to the early 1960s. 

It was not uncommon for Steiff to make tweaks to popular standard line patterns and present them as exclusives to F.A.O. Schwarz in the 1950s and 1960s. So there is precedence for this unusual find. These modifications included things like size, coloration, body position, materials, or other design details. For example, Steiff produced standing or lying Dally Dalmatians (the standard line versions were sitting), a sitting black and white Cockie (the standard line version was standing), and an open mouthed Biggie Beagle (the standard line version had a closed mouth) as dog specials for F.A.O. Schwarz. And for the felines, the list is shorter, but equally intriguing. It is suspected that a pair of 8 cm, legless, curled up baby cats that appeared in F.A.O. Schwarz's "Kittens in a Basket" offering were based on Steiff's beloved standing Tapsy kitten design. These happy handfuls are pictured here on the left. Like the fabulous Fiffy under discussion here, the one with the open eyes also has a faintly legible ".90" at the end of her article number.

Steiffgal hopes this discussion on this supersized Fiffy has really tickled your whiskers!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Can't Help But Crow Over This Latest Prewar Steiff Find!

Welcome to our next Steiff egg-cellent adventure! Steiffgal spotted this fine feathered friend on an online sales channel and just couldn't resist his impish personality and adorable presentation. Turns out, he's pretty rare, too! Check out this prewar, bitty barnyard buddy and see what makes him so interesting from the design and product development perspectives.

Size defies with this tiny feathered friend! Here we have Steiff's smallest sized prewar rooster. He is about 8 cm, standing, unjointed, and made from blonde mohair. His feet are made from metal which has been painted orange. His tail feathers are made from elegantly cut and shaped brown felt. His face and waddle are made from red felt, and he sports black button eyes. Rooster was produced in 8, 17, 22, and 28 cm in this specific color combination from 1930 through 1937 overall. This smallest size was made for one year only, in 1933. Although this example has lost his IDs to time, these baby birds would have left the factory with their button and tag placed on their felt back feathers or worn like a bracelet around one of their metal legs.  

This little guy has two (well, two and a half) subtle, but interesting features of note. 

First is his coloring. Most people think of Steiff's prewar roosters as being very colorful, often with green feather detailing. And, Steiff did make a very similar rooster design in this more vivid color palate in 8, 17, 22, and 28 cm from 1930 through 1943 overall. The little guy under review here today is from a lesser known series of 1930s-era tan and brown roosters. Given that the ones with the green details were produced for a much longer period suggests that they also sold better and were more popular with customers. 

Second is his legs and feet. They are made from orange painted metal. Steiff has a long history of making their early prewar birds with metal feet and legs, but they were either "slipcovered" in felt or wrapped with string. As far as Steiffgal can tell, these 8 cm mohair roosters introduced in 1933 might have been the first full bodied birds with painted metal legs, complete with their requisite poultry "spurs" just above the ankles.

And the half? Well, coincidence or not, Steiff debuted its line of woolen miniature birds in 1931. These first mini guys, and all the company's prewar standing pom-pom style birds moving forward, had painted metal legs and feet almost identical to the ones seen on the smallest prewar mohair rooster. It is possible that by 1933 - when the smallest mohair roosters debuted - that the company had perfected their metal legs and feet production technology to the point that this design element could be implemented on other more sophisticated patterns. For example, here on the left, you can see tiny rooster's metal legs and somewhat twisted toes (guess he might be having a little foot arthritis after a century!) and the metal legs and toes of his woolen miniature owl friend from 1934.

Steiffgal hopes this discussion on this little bird with interesting leg features has you standing tall. 

Have a question about one of your Steiff treasures? Let's talk! Click here!

Check Out This Bearded Beauty From The Steiff Archives!

It's easy to be all smiles over this next Steiff mystery. Check out this note from a friend in Germany, who has just added a very special bearded beauty to his collection. But who exactly is this rarity, and what might be the back story behind him? Orlando writes:

"I bought a sitting Schnauzer from the Steiff archive, which I can't find in any book. He has the number 3530, which is written on the archive tag. He has a leather collar, his breastplate, and his ear flag with a button. The pressure voice, works. Maybe you can tell me something about the dog. Was it perhaps intended for the American market? Thank you for your efforts. I'm looking forward to your reply."

This darling doggie is an unusual version of the Steiff's popular and legacy Tessie Schnauzer design. These pretty pooches were made in 10, 14, 22, and 28 cm from 1954 through 1976. Tessie dogs produced for the standard line were standing and made from long, light grey mohair. They had irresistible faces that came to life with black and brown pupil eyes, a black hand embroidered mouth, a happy pink tongue, and pert triangular shaped ears. Their accessory was a red leather collar.

Orlando's version has the same general look and feel as the standard line issue Tessie dogs, with a few key differences:

• 1. Standard line Tessie was standing and Orlando's is sitting. 

• 2. Standard line Tessie was made from mohair and Orlando's appears to be made from a different sort of fabric. 

• 3. Standard line Tessie has a closed mouth and Orlando's has an open, smiling mouth lined in velvet - sort of like those seen on Steiff's early 1950s Cockie Cocker Spaniels. 

• 4. Standard line Tessie came in sizes up to 28 cm and Orlando's appears to be larger.

So what does this all mean? The Steiff archive tag, with the numbers 3530 and 1955 on it, does help to shed some light on the dog. These numbers translate to 3=sitting, 5=wool plush, and 30=30 cm tall. So his fabric is in part wool plush, he is 30 cm tall, and he was made in 1955.

Now let's talk about his unusual form - sitting instead of standing. The sitting version was sampled in 1955, one year after standing Tessie's introduction. Steiffgal has two plausible ideas why Steiff tried out a version of their Tessie Schnauzer dog in sitting form.  

The first has to do with growing the company's overseas presence and market position. It was not uncommon for Steiff to make design tweaks to its standard line, postwar dogs and present them as exclusives to F.A.O. Schwarz and other high end stores in the USA in the 1950s and 1960s. For example, Steiff produced a standing Dally Dalmatian (the standard line version was sitting), a sitting black and white Cockie (the standard line version was standing), and an open mouthed Biggie Beagle (the standard line version had a closed mouth) as specials for F.A.O. Schwarz. This sitting Tessie might have been proposed for an exclusive for the USA, but never put into production for one reason or another.

The second has to do with regular business product line extension. If a design is great and selling well - why not make it in a theme and variation form? The best analogy Steiffgal can come up with here is Steiff's foray into creating a postwar sitting Arco German Shepherd. Postwar, Arco has always appeared in the catalog standing. Steiffgal has seen just a few of the sitting versions here and there, but has never seen them documented in any reference book as a standard line item. In 2020, a 25 cm sitting Arco with all IDs sold at auction; it generated 12 bids and hammered at €2,300 / $2,481. His cataloging read, in part... 

"Arco, button, chest label and cloth tag label, cloth tag label is worn, sitting 25 cm, flat STEIFF button with embossed cursive writing in ear, item-No. 3325, cloth tag label on ear isn't readable, neck mark, Arco, mohair stuffed with wood wool , brown/black glass eyes, black nose/ mouth decoration, always 3 claws, press voice is faulty, red leather collar, this Alsatian Arco in sitting version was planned by the company STEIFF 1963 as novelty in different sizes , but wasn't put into the assortment, it were probably only a few sample items produced, very nice, unused original condition, extremely rare STEIFF rarity, expertise by the company STEIFF GmbH Giengen is enclosed." Here on the left you can see this sitting version of Arco, the image is from LiveAuctioneers. 

It is not clear why these sitting versions of Tessie and Arco never went into full blown production. Steiffgal suspects it has to do with production and labor costs, and/or market share or other business factors. These kinds of production decisions almost always have an economic element to them. But only they know for sure - and their lips are sealed!

Steiffgal hopes this discussion on Orlando's archival Tessie has been one for the books!

Have a question about one of your Steiff treasures? Let's talk! Click here!

You Are Certain To Have A Plush Crush On This Amazing Steiff Prewar Rarity!

No need to sugar coat this amazing rarity! Here we have a wonderful example of Steiff's little known sitting "coat plush" cat. Have you ever seen a Steiff animal in this little known fabric? She is just about purr-fect in every way. 

This pretty kitty is 17 cm tall, sitting, unjointed, and made from grey and white coat plush. Her back is covered in now faded black stripes. Her tail wraps around her rear, as often noted in Steiff's sitting cat patterns over the years. She has green and black pupil eyes and a pink painted nose and mouth. Her face is detailed with black stripes. Any whiskers have been loved off or lost to time. Her bow is not original to her, but her bell might be. She retains her button as her Steiff ID. This fantastic feline was made in 14, 17, 22, and 28 cm from 1931-1939 overall. 

Let's now take a look at how she is cataloged in Pfeiffer's 1892-1943 Sortiment. It says, "Rauhstoff, Grau/weiss, sitzend, billige Series." This translates to English as "Rough cloth, grey/white, sitting, cheap series." These descriptors are very telling about her construction and era of production in two key ways.

First, let's consider her material. It is called rough cloth or coat plush. This is the first time that Steiffgal had handled an item made from this wartime era fabric, it is that unusual. More commonly noted substitute fabrics found on items produced just before and just after WWII include wool plush, artificial silk plush, cotton plush, and linen. From an aesthetic perspective, this material looks and feels a bit like flannel cloth - the fabric usually seen on nightclothes and plaid shirts! It has a very slightly fuzzy surface. Steiffgal suspects that the absence of this fabric appearing over a wide range Steiff prewar designs suggests that it was unpopular, hard to work with, and/or unavailable on a commercial level.

However, it is interesting to note that coat plush was used on two other cat models around the same time as this one. One, a standing version, was made in 14, 17, and 22 cm from 1931-1933. This same model was also produced on blue eccentric wooden wheels as a pull toy in 14, 17, and 22 cm from 1931-1932.

And second, let's noodle what Pfeiffer might mean by the words "cheap series." It is unclear if this specifically means "cheap to manufacture" or "cheap (or cheaper) to purchase", or both. The early 1930s at Steiff were a time when the company was implementing numerous strategies to slash costs and create efficiencies throughout the entire organization. So the chronology of these words does make sense. This sitting cat was made at the same time as a number of the company's now legacy sitting cats, including Susi, the sweet tabby; Siamy, the Siamese cat; and Fluffy, the adorable blue tipped kitten. Clearly, these head jointed mohair cats were far more elegant in their materials, construction, and detailing than this basic, unjointed one. This "cheap series" cat also has simple painted facial features - not embroidered ones - which are far more economical to apply than hand embroidered ones.

All of these small tweaks in the aggregate certainly brought her costs down... but not her appeal or importance in the company's product development timeline in any way.

Steiffgal hopes this discussion on this prewar era coat plush rarity has warmed your heart and soul!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Having A Ball With This Prewar Steiff Kitten Novelty

Without trying to be catty, Steiffgal suspects you've never seen a Steiff kitten just like this one! Check out this fancy feline who is simply having a ball - literally. This prewar novelty is totally the cat's meow!

This lovely lady is simply cataloged as "Wool Plush Cat." But her details are far more interesting! She measures 9 cm tall and 17 cm long, not including her tail. She is head jointed and in a lying position. She is made from tan wool plush with now faded black airbrushed striping. She has a pinch style squeaker in her torso. Kitty comes to life with felt backed ears, green and black glass pupil eyes set low on her face, and a pink hand embroidered nose and mouth. Her accessories include a satin bow, jingle bell, and a red, yellow, and blue woolen miniature pom pom ball which is held between her two front paws. This delightful rarity was made in 17, 22, and 28 cm (measured horizontally, not including the tail) from 1933-1942.

Kitty's design and presentation closely mirror Steiff's late prewar design aesthetic as well as business drivers and strategy. In the early 1930s, the realities of Germany's challenging geopolitical, social, and economic situation really began impacting every level of operations at Steiff. As such, the company started using less expensive and more readily available non-mohair fabrics as well as launching simplified designs to minimize materials and labor costs. Here to the left you can see this pretty kitty as she appeared in Steiff's 1938/1939 print catalog; you can click on the photo to make it bigger. 

Here's how this kitty's pattern checks many of those boxes. 

1.  She is made from wool plush, which is lovely and durable, but is less elegant than the company's signature mohair. Wool plush is considered a wartime era, substitute fabric and was often used in Steiff's production on items bookending WWII. 

2. Her face is nicely done, and very appealing and expressive, while her body is  very basic in form. Starting around 1931, Steiff began consolidating their design and manufacturing efforts on an item's head, while leaving the rest of the body as simple as possible. A great example of this is the company's line of dressed animal dolls of that era. They consisted of a lovely, detailed mohair head on a plain, generic linen or fabric body. 

3.  Kitty she has only one joint - a head joint. Jointing is very expensive and time consuming, and the fewer joints an item has, the more efficiently it can be made. 

4. And finally, her accessories are also quite telling. Her bow, bell, and simple woolen miniature pom pom are inexpensive to source and quick to attach to her, but really elevate her presentation and draw your eye forward to her finest feature, her head. Steiff debuted its general woolen miniature line, which was invented in part to address the realities of manufacturing in Germany in the 1930s, so it is interesting to see it being used here to compliment and upscale this design. 

Steiffgal hopes this discussion on this wool plush kitty has tickled your whiskers!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Getting Cosi With Steiff's Poodle Named Tosi

Poodles are amongst the most popular dog breeds globally and are regularly celebrated for their distinctive good looks, superior intelligence, and fun-loving personalities. These wonderful dogs, often sporting fantastic hair-dos, are so important to Steiff that several were featured in the company's debut catalog in the early 1890's. Since then, Poodles have appeared almost continuously in the Steiff line to this day.

One of the rarer Steiff poodles, Tosi, tops the wish lists of many collectors today. This is most likely due to her unique presentation, unusual detailing, and place in the company's product development timeline. A deeper dive into her history suggests she is a case study in early postwar design, development, and distribution. Here is the story behind this precious pup!

Given the breed's appeal, Steiff started manufacturing Poodles as soon as possible once the factory reopened for toy making business after the conclusion of WWII. The first new postwar Steiff Poodle design was Tosi. Here you can see her on the cover of the company's 1950 product catalog. Tosi's design strategy was based on two of Steiff's key business drivers at the time - to produce quality, appealing toys as quickly and efficiently as possible and to regain their status as a premier, worldwide toy manufacturer. However, Steiff still had alot to manage operationally in the earliest midcentury period, including rebuilding their infrastructure, optimizing new regulations and distribution channels, and dealing with material and talent shortages, among other factors.

Many of Tosi's design elements reflects these postwar realities. She was standing and simple in design and only head jointed in the larger sizes. She had minimal seams and labor intensive details. Because mohair fabrics during this period were limited and expensive, this model was made from wool plush. Her coat was in a "Karakul" trim, meaning that it was fluffy but uniformly the same length all over her body. This gave her a sweet and youthful appearance, but also required no additional hand-trimming or work on her legs and torso. Tosi's face was detailed with a round, black glass button nose and soulful, almond shaped white, brown, and black eyes. These facial features did not require facial hand embroidery, which can be time consuming and require special expertise to execute. Her accessory was a simple red leather collar, which was easy to manufacture and attach to the dog. And, her small size and compact form made her light and easy to pack and ship worldwide. Here on the left you can see Tosi in a variety of color and size combinations as she appeared in Steiff's 1950 new product catalog. 

Overall, Tosi was produced in black or white wool plush in four sizes ranging from 14 to 28 cm from 1950 through 1953. Because of her time of manufacturer, Tosi would have left the factory with either a short trailing f, blank, or raised script button; yellow ear tag; a red or blue imprinted chest tag; and a cloth US Zone tag in her leg seam as her Steiff IDs. You can see these IDs on the white Tosi above; the image is from www.invaluable.com. Examples in excellent to as new condition with all IDs today can trade hands in the high three digits - low four digit range.

Steiffgal hopes this discussion on Steiff's Tosi poodles has you feeling quite rosy!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

It's Hip To Be Square With This Steiff Prewar Charly The King Charles Pajama Bag

You snooze, you lose! But everyone who is interested in this next fantastic find is a clear winner. Check out this short inquiry from Steiff superfan Michael, who writes about an unusual novelty. He simply writes...

"Hi, could you give some detail and history on this pajama case, I think?"

It's hip to be square with this marvelous 1930s era Steiff Charly the King Charles pajama bag. The bag itself is 30 x 30 cm, square shaped, and made from long, soft tan mohair. It closes with a metal zipper with a pull ring and is fully lined in textured light green fabric. All of these details appear to be original to the bag. The bag itself is decorated with the head of Steiff's signature Charley the King Charles Spaniel. Charly's head is made from mohair and measures about 15 cm long. It is head jointed to the bag and was designed to rotate. His face is detailed with oversized brown and black glass pupil eyes (one appears to be missing), a black hand embroidered nose and mouth, and oversized, floppy ears, just like the real dog. And cue the happy dance - this great novelty retains its long trailing "f" button as its Steiff ID. 

 

This functional favorite was made as part of a series of children's pajama bags in the late prewar period. They were formally called "night dress bags" and were the first style of pajama bags that Steiff launched to the world. For the most part, they are really rare and seldom seen on the secondary market as they were designed to be used and loved as toys as well as functional items. As such, most wore out or were lost to time. Their basic "template" was a simple, square shaped and lined bag with the head of a well-known Steiff pet of the era. They were produced from 1930-1937 overall and came with Teddy baby, Bully, Charly, a Scotty, a Sealyham, Molly, or a Siamese cat as the animal detailing. This is the first one Steiffgal has seen with a Charly as its featured animal.

 

This rare pajama bag appears to be in really nice condition overall. It is missing an eye, which sometimes happens. Replacing the lost eye would add to its appeal and presentation, and is not that difficult to do with the right needle and thread. However, it is sometimes challenging to find an exact ocular match in terms of size and era. And for some reason, eyes that don't match often look a little strange. As such, if Michael is not able to find an exact match, he may consider replacing BOTH eyes on this item to give the face a pleasing and authentic balance. Of course, it is important to note and disclose any and all known restoration on a vintage item if you are considering selling it at some point in the future.  

Steiffgal hopes this discussion on Steiff's Charly the King Spaniel pajama bag has been the crown jewel in your day today. 

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

This Fully Jointed Prewar Cat Has Quite The Tail To Tell!

Paws and check out this next Steiff surprise! Steiffgal was recently asked about a wah-hoo good Steiff prewar rarity that probably every collector in the world would love to add to their meow mix. Check out this fabulous feline and see what makes her so interesting from the design and product development perspectives. 

Here we have Steiff's early and delightful mohair cat. She is fully disk jointed - i.e., all limbs, head AND TAIL!! - and made from black mohair. She measures about 21 cm wide (nose to tush, not including her tail) and about 17 cm tall. She has tan claws, round and early green and black glass slit pupil style eyes, and a simple pink hand embroidered nose and mouth. She also retains her tiny long trailing "f" style button. You can see her ID close up in the image below. 

According to Pfeiffer's Sortiment, this rarely seen design was made in 17, 22, and 28 cm (measured vertically, top of head to toes) in grey or black mohair from 1913-1916 overall. You can see this catalog listing here on the left, the image is from Pfeiffer's prewar reference book. Although this one under discussion today does not have a squeaker, Pfeiffer notes that the item was produced with a squeaker, and those may have appeared in the larger sizes where the body cavity was large enough to hold this apparatus in place. 

There are two key things that make this cat purr-fect in every way. 

First, the color is lovely and rare, and its timing is intriguing. The black versions were actually made only in 1913, which is one year after the company produced a series of black mohair bears in tribute to the sinking of the Titanic in 1912. So it is possible that the mohair used on some of these black cats was identical to, or from the same rolls of mohair used to create the company's now legacy Titanic Mourning Bears.

The second is its jointing. Steiff produced a number of uber-jointed items starting around 1910 or so. These included rabbits with long jointed ears, begging squirrels with jointed bushy tails, and standing dogs and cats with jointed tails, among others. Less than a decade prior, Richard Steiff was just beginning to work on ways to create basic jointing on the company's doll and animal production, and Steiff's offerings were very basic animals in simple, stationary forms. 

So it is really amazing how quickly the concept of jointing impacted the company's product design and development trajectory - basically zero to sixty in just a handful of years. However, in the big picture, these extensively jointed items did not last long in the line. This is probably because they were very labor intensive and expensive to produce - and the extra jointing might not have paid out in either ROI or additional sales. 

Steiffgal hopes this discussion on this rare and early black cat has tickled your whiskers!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.