Pipe Up If You Know The Maker Of This Turn Of Last Century Cloth Doll!

Close, but no cigar. Or pipe in this case! Is this distinguished gentleman doll made by Steiff? Apparently someone thought so, a very long time ago. Come take a look at this handsome, turn of last century cloth doll and see what makes him so interesting - and cryptic - from the design and historical perspectives.

Well hello, handsome! This doll stands about 37 cm tall, is excelsior stuffed, and is fully jointed. His head is disk jointed with cardboard and metal joints, his arms are loosely rod jointed, and his legs are string jointed. His head, hands, and feet/shoes are made from felt. His torso and limbs are made from linen. He is dressed to the nines in a felt buttoned jacket; a brown, tan, and purple fabric vest with purple gemstone buttons; tan, brown, and grey calico pants; a brown silk bowtie; and black felt shoes. His face comes to life with a prominent horizontal facial seam; a fringe of brown hair and facial hair; dimensional black button eyes underlaid with felt circles; a simple seamed mouth; pink highlighting; and of course, his great wood and composition pipe.

Upon closer look, it turns out this fine fellow comes with a little information written upon one of his legs. It reads, "Der Dutchman by Margaret Steiff #630 circa 1900." Although this doll is clearly misidentified as Steiff, it is understandable that someone may have assumed he was, given his prominent facial seam, general appearance, and turn of last century origins. He also has some Steiff "Karikaturpuppen" (i.e., early, cartoon-like) elements to him, including an oversized head with exaggerated features and simple hands and feet. However, Steiff's earliest dolls debuted in 1903, were string jointed, were made of felt and/or velvet, and had clothing integral to their bodies. Steiff usually used linen or other less expensive fabric like muslin on their dolls during times of economic and supply chain hardships, like just before, during, and after World War I. And their Dutch dolls almost always wore removable clogs rendered from felt or wood. 

Now let's light a fire under one of this doll's most intriguing features - his pipe. It is removable and fits perfectly into a little hole in his face. This construction is also not typical to Steiff. And Steiffgal suspects that if Steiff made a doll pipe, it would have been hand carved entirely from wood. The only "smoking" doll Steiffgal can think of is the company's incredibly rare "Adamson" Swedish cartoon character doll produced between 1925 and 1929. In this case, the doll's felt cigar was sewn directly onto his face. You can see Adamson here on the left, the photo is from Liveauctioneers.com.

So just who is this silly smoker? Steiffgal has combed the literature and cannot identify him. She's also asked others who are equally stumped. So his origins remain a mystery for now. What Steiffgal does know about him is that he previously belonged to her dear friend who recently gained her wings. This doll now sits on Steiffgal's desk, right near her computer, and "supervises" her daily... or in this case, reminds her of a beloved soul who passed way too soon, and unexpectedly.

Steiffgal hopes this discussion on this early cloth doll has suited you well. 

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more!

It's All In The Family With This Turn Of Last Century Dutch Doll

What makes an heirloom Steiff treasure even more extraordinary?  When it has been been cherished by three generations of the same family, and its provenance helps connect it with the past and the future!  Check out this note from Suzie in Ireland. who has some questions about her family's "Friend for Life."  She writes...

"Dear Steiffgal,

Please give me your advice on this doll! It was given to my Grandmother by a Prisoner of War (POW) who was living in the German POW camp in Dorset around 1910-1914. My Mum was told that the POW had made it. At that time the POWs were allowed to mix in the community and some even helped local trades.
 
This doll has all similarities of Steiff, though it is stuffed with straw. I was wondering could of maybe have been a Steiff worker who had been captured during war duty. Maybe he had access to a sewing machine (maybe a trade in the village?) and made it? 

She is beautifully stitched and hand stitched up. She came with knitted socks, wooden clogs, bloomers, combinations, a lemon blouse (missing), a petticoat, a skirt, apron and lace edged bonnet. She stands about 50 cm tall, and has human hair woven into her scalp.  

We undressed her for the first time in nearly 70 years, as you can see she is a bit rough but both my Grandmother and my Mum played with her, my Mum mended her broken bits when she was 7-8 so they are roughly done but do the job. I have contacted Steiff and they say that she definitely looks the part. 

So glad my Mum hung onto her, I think she's lovely.  

Best, Suzie"

This sweet doll is a double Dutch treat indeed!  From her appearance, construction, and proportions, it is Steiffgal's gut feeling that she indeed was made by Steiff in Germany.  And her detailing aligns with a well known Steiff doll named Helma, who is pictured here on the left.  The photo is from Pfeiffer's Sortiment 1892-1943.  Like Suzie's doll, Helma is 50 cm, made from felt, is fully jointed, excelsior stuffed, has a mohair wig, and features Steiff's legacy center seamed face construction.  Helma wears a traditional Dutch outfit, complete with wooden clogs.  According to Steiff records, her outfit was made in a variety of different colors and fabrics, which is why Suzie's doll's clothes don't exactly match the reference photo. Helma was produced from 1911 through 1921; her black shoe button eyes put her at the earliest end of this manufacturing timeline.  So if Suzie's Grandmother received the doll in the 1910-1914 time frame, the logistics do indeed align.  

In addition to Helma, Steiff also produced two other 50 cm, clog wearing Dutch adult dolls around the same time period.  The first was Franz, a fisherman.  The second was Knut, who was dressed like a local farmer and wore a fur cap.  Both Franz and Knut had distinctive mohair beards.  These large Dutch dolls were specifically designed as hardworking adults with grown-up personalities. 

As for the mystery of how Suzie's Grandmother's doll got to Dorset, or if the POW made it... well, only the doll knows for certain!  It is most unlikely that the POW personally constructed the doll in Dorset.  Maybe they or a family member worked at Steiff in Germany, and for some reason they had the doll with them when they were sent off to the camp.  Another possibility is that the POW made some of the clothes or other accessories for the doll and not the actual doll... or that they made the money to buy the doll, either in Germany or near Dorset.  The details of any of these scenarios may have simply gotten lost in translation - or time.  

Steiffgal hopes this discussion on Suzie's third-generation doll has been a delightful family affair for you.