Let's enter the fray - oops, I mean the bray - of 2024 with a peek at a super sweet and super rare Steiff novelty. This darling and unusual velvet baby is a recent addition to Steiffgal's collection. He's based on a beloved Steiff pattern, but is accessorized in a most eye-catching way. Take a look at this old-new friend and see what makes him so noteworthy from the design and product development perspectives.
This barnyard buddy would love to be your beast of burden. This is a well attired version of Steiff's legacy Esel or Donkey. He is 12 cm, standing, unjointed, and made from velvet that has darkened overall and evenly over time. He has a short black mohair mane. His tail is made from cord. He has black airbrush highlights down his back, on the tips of his ears, and marking his hooves. Esel's face is youthful and endearing; it is detailed with shiny black button eyes and delicate airbrushing to define his nose and mouth area. Esel retains his original accessories, including a red floss and plastic brindle with tiny green felt dots and a red and white checkered sack with a green tie. The bag is stuffed and dimensional, and stitched onto his back. His IDs include a raised script button, very early postwar ear tag, and a chest tag. He does not have a US Zone tag, and there is no evidence that he ever did.
Steiff's regular line, postwar Donkey appeared in the line in 12, 14, 22, and 28 cm. The smallest size was made in velvet from 1950 through 1969 while the larger sizes were made in mohair from 1950 though 1961. This particular example under discussion here today does not appear in the standard Steiff Sortiment reference books, as far as Steiffgal can tell. However, he does appear on page 246 of the Cieslik's Button in Ear The History of The Teddy Bear and His Friends. In this image - pictured here on the left - he is simply noted as "Donkey, 5 inches, 1951."
The immediate post war era brought much change and opportunity to Steiff as well as other important European toy manufacturers. Button-in-ear products designed and manufactured during the c. 1948-1955 time frame bridged the company's prewar quality and appeal, while at the same time introduced new design elements with playful, midcentury vibes. It was also a time of trying new things and experimentation. This Donkey design is a great example of this.
It is safe to say that most collectors are familiar with the standard line, 12 cm version of this Donkey pattern. He was made with a cord tail and wore a red leather brindle. However, Steiffgal has handled other 12 cm examples with dimensional, excelsior stuffed felt tails with black mohair tips. And she even has one in her collection donned in his factory original red leather brindle with tiny green tassels and a red and black checkered felt blanket secured to him by a ribbon. You can see this other variation pictured here on the left.
Excelsior stuffed tails and extra accessories require more time and labor. As a result, Steiffgal suspects that the company's standard line, post 1951 velvet 12 cm Donkey design is a simplified version of the original concept behind this pattern. He may have started out on the drawing board with a fancier tail, detailed brindle, and blankets or sacks, and the earliest examples of may include them. But these "nonessential" elements were quickly jettisoned, with no huge impact on the pattern's integrity or appeal. It is interesting to note that many of the smallest, early postwar animal editions, including the company's zebras and camels, were made from velvet and had cord tails, so this direction is somewhat consistent with trends of the era.
Steiffgal hopes this discussion on this well dressed Donkey has been a clothes call for you.
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