The Best of All Worlds: Steiff REAL and Replica!

Are you seeing double? Usually, this is cause for alarm. But not in this case, in terms of these two very fine Steiff fellows. Produced nearly a century apart, these "hairy canaries" prove that good looks, genes, and and remarkable beards are not only timeless and appealing, but great assets, too! Let's take a look at this original turn of last century Steiff doll and his 1990s era replica and see how they compare.

Things are twice as nice when it comes to Steiff's "Hungarian" doll. The original is shown here on the left, and the replica from 1996 is on the right. The early and original Hungarian doll was manufactured by Steiff from 1912 - 1917. According to the Pfeiffer's early Sortiment reference book, he was produced in 50 cm, although this particular example measures 43 cm and the number on his tag reads "Ung 43." It is very possible that he was produced in a number of different sizes during his manufacturing run; not all early records are perfect.

So let's look at the older guy first. Vintage Hungarian - on the left in this photo - is made from felt, stuffed with excelsior, and fully jointed. His uniform is integral to his body. He wears a red felt jacket that is trimmed with curly, jet black mohair and detailed with metal buttons, black and gold embroidery, and cord and orange felt trimmed cuffs. His tan pants are decorated with red embroidered felt stripes. His knee-high leather boots are trimmed with tan string tassels and orange felt. His "proper topper" is a red felt cap embellished with a metal button, orange felt, and a leather brim. Hungarian has a gold rope whip wound around his left shoulder. His face comes to life with Steiff's signature center seam construction, black eyes, a prominent nose, oversized ears, and a full mustache, beard, and head of hair made from the same curly jet black mohair that decorates the bottom circumference of his jacket.

Now let's check out his doppelgänger. This marvelous Steiff replica doll was produced in the late 1990s as part of limited edition doll and horse set. You can see that dynamic duo in the photo here on the left. Although the replica is cataloged at 43 cm, Steiffgal's example actually measures 47 cm tall. In the late 1980s through the late 1990s, Steiff created a series of replicas based on their 19-teen era Schlopsnies Circus program. These replica dolls included clowns, animal trainers, musicians, and performers, among others. The original Schlopsnies Circus was large scale, dynamic, and extremely popular exhibit designed and created by Steiff creative freelancer Albert Schlopsnies. It consisted of over 30 circus themed dolls and acrobats, based on real life performers at the world famous Circus Sarrasani of Dresden, Germany. 

So how do the original and the replica align? Keep in mind that it is nearly impossible to recreate something exactly as it was a century onward - given how materials and technology change over time, and how fabrics and fillings oxidize and age. With that as a backdrop, let's compare three factors here: these two doll's detailing and materials, construction, and general aesthetics.

Detailing and materials:
For the most part, the two have a lot in common in these categories. There are a few very minor differences, like the exact embroidery on the back and arms of their jackets and the spacing of the stripes on their cuffs. The original has his button and white paper tag located in his ear, while the replica has his button in ear, and another Steiff button and his white tag located on the edge of his jacket. Clearly, the doll's rope whip and boot tassels cannot be exactly replicated as the materials used for these accessories have evolved over time. The key physical material difference between the early Hungarian and the replica Hungarian is that the replica uses long black plush in the place of long black mohair on the doll's hair, beard, and jacket trim - perhaps as a cost savings measure. 

Construction:
The original Hungarian doll is entirely stuffed with excelsior from head to toe. The replica's head is softly stuffed, while the rest of his body and limbs are stuffed with excelsior. It is really interesting to note that the dolls are nearly identical in weight, with the replica just 4 grams heavier than the antique one. Both dolls have analogous jointing. Here on the left, you can see an original Steiff advertisement from around 1912 featuring the Hungarian astride a camel; the photo is from Ayers and Harrison's Advertising Art of Steiff, Teddy Bears and Playthings.

General aesthetics:
It is obvious that the turn-of-last century doll is slimmer, curvier, and more elegantly scaled than the replica. This is especially noticeable in the face; the original has old fashioned facial contouring and a smaller, to scale nose while the newer version has a fuller, flatter, rounder face with a really bulbous nose. This probably has to do with the fact that excelsior stuffing allows greater contouring than simply polyfill. The replica, although still quite handsome and a wonderful addition to any Steiff collection, is simply a bigger, somewhat streamlined, and boxier interpretation.

Steiffgal hopes this discussion on Steiff's original and replica circus dolls has been one hot ticket for you.

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Thumbs Up Over This Fantastic Paddy Walrus Hand Puppet!

It's all hands in the air for Steiff's great mohair puppets - especially the really rare ones. Steiff started creating these high quality puppets in the early 1900's in the likenesses of some of their most popular characters and designs. This tradition was carried out for the most part through the 1970's; after then, the company's puppets were mostly constructed from plush, plastic, and other materials. Let's take a deep dive and check out one of the most unusual post-war mohair examples and see what makes him so interesting from the product design and historical perspectives.

It's not unusual to see collectors fighting tooth and nail over this walrus hand puppet. This unjointed rarity is 20 cm tall and made from tan mohair that has been airbrushed with brown and tan spots, shading, and highlights. He has a pair of dimensional flippers; the tips are stuffed with excelsior. His oversized, very round head is solidly stuffed with excelsior. His face come to life with two black and white google style eyes, jowls, a long, brown tipped mohair beard, a pink hand embroidered nose, and two white tusks. This walrus puppet was made in this size only in 1962 as an exclusive for high end toy retailer FAO Schwarz.

This perky puppet of course is based on the company's standard line Paddy walrus design. Paddy was produced in 10, 14, and 22 cm in the 1959 through 1965 time frame. It was not unusual in the 1950's and 1960's for Steiff to retool popular items as exclusives for FAO Schwarz. By "retool," Steiffgal means making an item in a bigger or smaller size; sitting instead of standing (or vice versa); dressing a piece in a fancy outfit or giving it a distinctive accessory, or taking a basic design and producing it in another toy category. That's what you see here - the Paddy design being reinterpreted as a puppet. 

To keep things twice as nice, Steiff also produced Paddy as a pajama bag as an exclusive for FAO Schwarz from 1962 through 1972. This delightful and functional collectible was 45 cm nose to tail; made from short brown mohair or dralon plush which was carefully airbrushed on its face, flippers, and tail; and was lined in blue colored silk material. He had a zipper up his belly and was "hollow", meaning that you could indeed store your adult sized pajamas inside of his torso!

Steiffgal's Paddy puppet clearly was someone's best friend at one point in his life, which is a good thing. He has some play wear to him, his beard is quite thin, and he lacked his traditional tusks upon arrival. So the question is, how important is condition when making a Steiff purchase? Of course, everyone has their very own algorithm for this, and it always comes down to personal choices and preferences. But if it is helpful in any way, here are three key things that Steiffgal considers when making a purchase decision for her own collection.

1. Do I have this item in my collection already? If not, then it may be a good choice, all things being equal. If you already do, is this example in better shape than the one you already have? If yes, then consider purchasing it and rehoming your lesser quality example. If no, then maybe pass on the opportunity.

2. How often do examples of this item come up for sale? If the item seldom if ever appears on the secondary market, condition plays somewhat of a lesser role in the decision making process. If the item is almost never seen for sale or at auction, consider adding it to your collection. If you have seen examples of the item come up for sale two or more times in the last year or so, and the item you are considering adopting today is not in great shape, consider waiting for the next purchase opportunity.

3. How "bad" is the condition? In the case of this puppet, he was really dirty, had a small tear in his beard, and had lost his tusks to time. These things can be fixed or restored, and that's exactly what Steiffgal did here. She cleaned him, stitched his beard, and made him tusks out of white Fimo clay. (After all, its not uncommon to need custom tooth implants over the age of 50 these days!) If you (or someone you know) can fix the item's condition to a state that you are comfortable with, and/or stabilizes it so it is around for many more decades to come, then consider the purchase. Just make sure that you fully disclose these repairs if you move the piece along sometime in the future.

If the item is in really rough shape, may attract insects, or has other condition issues that make its time on Earth quite limited, perhaps consider waiting for the next big find - which is always just around the corner!

Steiffgal hopes this discussion on this Paddy walrus puppet has been a happy handful for you. 

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.